Dupont Circle Gallery Walk


2026 R Street NW

Cross Mackenzie Gallery is presenting “Pier Three Warehouse 2012” through June 5, an exhibition of work by up-and-coming architectural photographer John Cole. The images in this series, “Walls,” are about observing mindfully, seeing thoughtfully, paying closer attention and looking anew. Cole explores his relationship with his surroundings through his subtle framing of the seemingly mundane, recalling 20th century American photographers Lewis Baltz and Harry Callahan. In Cole’s photographs, a building wall becomes more than just a façade, revealing histories of weather, abrasion, sunlight and the shadow of human presence. In Cole’s exhibit, the “writing on the wall” is worth reading.


2108 R Street NW

Through May 18, Studio Gallery will be featuring the work of Elizabeth Grusin-Howe, a Maryland-based painter, photographer and printmaker. The current show, “When the sky is clear the horizon is visible,” scenes from Venice, Italy are composed of manipulated prints and photographs that evoke the romance and weathered historic grandeur of this beloved city. Her figure paintings marvel in a similar contrasting beauty, balancing coarse brushwork with delicate, graceful form, and give us something at once permanent and ephemeral. Opening May 22 is the work of Suzanne Yurdin, which depicts centuries old architecture and picturesque villages in rich layers of mixed media. Also inspired by journeys to Italy, Spain and France, these paintings represent elements of Europe’s many glorious spaces in loose, geometric forms, offering as a suggestion of place more than a demarcation.


9 Hillyer Court NW

Cut paper elegantly balances simplicity of form with intricacy and complexity of line and detail. An artwork may consist of only one sheet of paper, but the design and cutting techniques transform it into a surface as fine as lace. When put to rice paper, the hand-held blade creates a crisp, controlled, yet gestural line. This month, Hilyer will host an exhibition of the cut-paper work of Melanie Kehoss, in her exhibit “InterGrowth.” Like paper cutting traditions of China, Mexico and Judaism, these pieces relate to celebration. Kehoss’s banner format, reference to cross-cultural holidays, and inclusion of romantic poetry all speak toward the idea of ritual and occasion. Images from nature serve as symbols of these traditions, while suggesting the organic way in which cultures grow and merge. Also on view this month are the paintings by Lara Bandilla, whose current works are a narrative of light and movement, which suggest certain emotional states without naming or defining them.


2025 Hillyer Place NW

From May through July this year, Jane Haslem Gallery is exhibiting “The Mind/The Line/The Creation,” a show of sixteen American artists focused on the process of drawing. The foundation of any artist’s career, drawing is an often overlooked medium in the commercial art world, but in this exhibit it is brought center stage, highlighting the point from which each artist approaches drawing. Different artists draw for different reasons. For some, it is the preferred medium. Others use drawing as a tool to work out problems in paintings and larger works. Still more use the juxtaposition of line and shape to create illusions and trick the viewer’s eye. And then there are artists who use drawing as a way to tell a story. Perhaps the highlight of this show covers the ladder spectrum, showcasing drawings by Charles Schulz, the cartoonist behind Snoopy and the Peanuts gang, and other seminal American cartoonists from the 20th century, like Walt Kelly (Pogo) and Martin Branner (Winnie Winkle). This exhibit is an exploration of the last 100 years in line, and one that ought not to be missed

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