Real Estate

The 2014 Georgetown House Tour, APRIL 26

Robert Devaney • April 23, 2014

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1689 34th St., NW

This house and the surrounding townhouses on 34th Street and Reservoir Road were built around 1951 on the site of the extensive gardens and pool of Friendship House, the last of the large estates owned by Evalyn Walsh McLean, heiress and socialite. McLean is best known as the last private owner of the 44.5-carat Hope Diamond, now on exhibit at the Museum of Natural History.

This brick, colonial-style, semi-detached home has four levels. The current owners purchased it in 1998, when they combined households from England, South Africa and Virginia. They immediately embarked on a series of renovations allowing for a more open floor plan, finished the top floor, upgraded the carriage house and, most recently, renovated the original 1951 kitchen in the English basement. Almost all of the main floor and lower level is the owners’ design. Much of the built-in cabinetry and furniture in the basement was handmade by them. The mature wisteria, planted in 1998, was the owners’ first addition to the garden. The carriage house is an architectural gem and serves as the guest room of first resort.

2906 P St., NW

This charming house, on a large lot set back from the street, was originally built sometime between 1844 and 1865, when the frame structure that forms the heart of the house (a double parlor on the first floor and two second-floor bedrooms) was erected. Sometime later, a rear addition was built, comprising the kitchen on the first floor and an additional bedroom suite on the second floor. During the 1960s, the house underwent a major renovation, which included altering the curved stairs in the main part of the house and an addition to the front at the west side of the property to include a garage, an indoor pool and a second-floor artist studio connected by a spiral staircase.

The current owners purchased the property in 1999 and later began another major renovation within the existing footprint to expand the kitchen, open up several smaller rooms and add the back staircase and French doors leading to the side and rear gardens. The renovation, designed by architect Outerbridge Horsey and executed by contractor John Richardson, transformed the indoor pool room into a family room and added a lower-level playroom to accommodate the family’s three children.

3102 P St., NW

The current homeowners purchased the house four years ago, when they moved to Georgetown from New York. They removed walls on the lower level to create a small theater room for family movie-watching and redid the lower foyer with blue slate flooring and white beadboard cubbies to accommodate the sporting activities of their four children.

Outside, notice that the bay window that matched those of the three neighboring houses was removed in the 1980s so that the garage could be added. In the entryway is a striking green and white Kelly Wearstler wallpaper. The Lucite waterfall console table coupled with the faux-bamboo mirror maximizes the use of the narrow space.

3141 O St., NW

This distinguished townhouse, built between 1957 and 1959, was once the home of F. Joseph Donohue, a District Commissioner from 1951 to 1953. The site dates back to the early 19th century, when it was a livery stable on what was then Beall Street, a few doors down from the legendary Connecticut-Copperthite Pie Baking Company on the corner of today’s Wisconsin Avenue and O Street.

The current owner has renovated the house, aspiring to “take the 1960s out of the house” and “create the ambience of a Paris apartment,” she said. The exterior is a contemporary adaptation of the Federal architectural style. The offset door, a departure from rigid Federal symmetry, allows for a modern necessity: a full-size garage. The spacious garden was completely redesigned for LB Design by local landscape architects Fritz & Gignoux. It has been nearly doubled in size by converting what used to be a back alley into a croquet lawn with an attractive water fountain and a stone seating area.

3254 O St., NW

This detached residence sits on a large lot that includes a detached brick carriage house at the back. The property was first conveyed in 1770 to Caspar Shaff. The original structure was built in the 1830s. Subsequent owners included both George and William Beall, who bought it in 1841 for $10 and sold it in 1853 to the Vestry of St. John’s Church for $100. In 1860, the house was enlarged by the creation of the front living room and a formal Federal façade was added in front. Notice the mounting block outside the front gate and the original ironwork stairs.

The current owner is an architectural and interior designer and real estate agent. She has spent the past 15 years improving and updating her home while preserving its many period details, such as the original heart-of-pine, random-width planked floors. The entryway suggests coziness, but the house is actually of substantial size with multiple bedrooms and a lower-level guest suite that offers a serene garden view.

The owner just completed a major renovation of the combined kitchen and family room. With the addition of three more sets of French doors, the kitchen area has been transformed into a more open floor plan to unify the kitchen, family room, brick patio and garden. The dining space, with its Pembroke drop-leaf table and English Chippendale armchairs, affords a splendid view over the manicured, southern-facing garden with its circular brick pathway and dramatic weeping willow tree.

3417 P St., NW

Think of 3417 P Street as two independent structures combined into a single home. The heart of the residence, to the east, was build in 1852 as a carriage house and stables by William Herron, a local contractor, to serve his large 35th Street home (seen on previous house tours). In 1951, Wesley Steele, acclaimed organist for St. John’s Church in Lafayette Square, purchased the carriage house and later added to the property, building the two-story guest house and garden area. The house was featured in the 1967 Georgetown House Tour, when visitors were invited to inspect Steele’s personal pipe organ. A sensitive recent renovation, overseen by the current owner and architect Dale Overmeyer, restored beams in the living room, moved the kitchen to the garden level by the pool, re-landscaped the garden and created a harmonious flow, the better to integrate the two structures into one home.

Approaching from the east along P Street, note the original carriage doors and well-preserved brick carriage tracks. By the entrance stands a massive antique Italian door, where a flight of flagstone stairs ascends to the living level of the house. From the garden, look up and to the right to see the outlines of the original carriage house and two subsequent additions. The garden is unusually large for Georgetown. Walk past the pool to the upper terrace to take a look at the dining area secluded under a magnolia tree near the soothing fountain. Because the garden is effectively above and protected from the street level, little traffic noise reaches here.

3413 P St., NW

This house’s bright yellow brick and deep green shutters cannot be missed as one walks along P Street. Behind this facade lies an appealing private garden spanning the entire side of the house and offering seclusion from the public street. This garden was among those featured in Adrian Higgins’s 1994 book, “Secret Gardens of Georgetown.” Glass-paneled doors along the side of the house give one the feeling of living in the garden. The layout of the house is linear, the front room being the living room, behind which the hall provides the entryway from the garden. Next comes the dining room and kitchen, with a doorway to the rear of the garden.

For all that comfort has been the owners’ top priority, on display in the house are many antiques, interesting and unusual objects and family heirlooms. These include paintings by Mr. Knight’s great-grandfather, Daniel Ridgway Knight (1839-1924), and grandfather, Louis Aston Knight (1873-1948). The frames that hold these artists’ paintings have been expertly restored by Bill Adair. Mrs. Knight is herself a talented and accomplished artist.
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3026 Q St., NW

This grand four-story mansion, built around 1850, has passed through many hands since it was first sold in 1871 for $4,500. The property was added to during the early 1970s, when land was excavated to create a garage and driveway (something much coveted in Georgetown), and the rear gardens were replaced by a 15-foot-wide swimming pool. The present owner has narrowed the pool to make way for a terrace for entertaining and outdoor reading, a particular passion of the owner, who has made sunny reading nooks on all four levels, both inside and out.

The house is full of fine original millwork, particularly near the entrance. A sumptuous archway frames the staircase and hall, which leads to the kitchen overlooking the pool. Note the dark oak hardwood floors throughout and the owner’s choice of an impressive if unusual palette of blue and purple, intended to convey an air of serenity. While the 1970s addition is restrained in appearance, the double-high dining room with skylights is spectacular. Visible through the glass atrium, a star magnolia and a weeping cherry soften the more modern rear exterior.

1530 Wisconsin Ave., NW(The George Town Club)

The George Town Club is an elegant city dining club providing a warm retreat for its members, with fine cuisine, privacy and friendly, gracious service. Formed in 1966, the club brings together leaders from the business, professional, social, philanthropic, political, social, cultural, academic and diplomatic sectors.

The club occupies 18th-century frame buildings. Club founders extensively renovated the run-down historic building, adding the brick entryway, excavating the lower level and importing European wood paneling. The wrought-iron work by Samuel Yellin was rescued from the demolition of the original Morgan Guaranty Trust Company building in New York. Over time, two adjacent brick townhouses were incorporated into the club premises.

On the second floor, the extraordinary oak paneling in the main dining room was created in the style of Robert Adam, England’s premier architect in the late 1700s. At either end of the sideboard are large fishing-vessel figureheads, framing a leaded-glass demilune that was originally a feature of J. P. Morgan’s private office.

In the past year, the interiors of the club’s main-floor rooms have been substantially updated, preserving historical architectural features. Light sisal floor coverings have replaced the worn dark rugs, and some parts of the walls have been upholstered in a light neutral linen fabric to offset the extensive dark wood paneling. The most dramatic change has been the complete renovation of the Grill Room. The updating of the club’s decor was a collaboration of interior designers Andrew Law and Debbie Winsor, both Georgetown residents and club members.

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Le Decor: The Importance of Being Green

Serafine George • April 11, 2014

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Just as Kermit the frog explained, it’s not always easy being green. Still, with a growing planet and shrinking resources, it’s important to do your part. One way to reduce your carbon footprint is buying furniture made of ecofriendly materials. Furniture retailers are doing their part by offering certain products made from reclaimed or sustainable materials. Below are just a few eco-conscious options for your home. [gallery ids="101692,143965,143958,143961,143945,143950,143953" nav="thumbs"]

Le Decor: Le Decor: Modern Inspirations

Charlene Louis •

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Art is one of the best way to inspire a space in your home. After reading through the February 26th Arts Preview issue of The Georgetowner, I was inspired by the current “Gravity’s Edge” exhibit at the Hirshorn (February7- June 15, 2014). The vibrate colors and abstract method of detecting the force of gravity, allows for one to experimental and free to mix traditional with modern works of art. There are many ways to introduce invigorating contrast into a space, and art is one of the best. Here are some examples where modern art breathes life into traditional rooms. [gallery ids="101669,144642,144646,144637,144651,144654,144659,144666,144662" nav="thumbs"]

The Power of Color

Georgetowner • March 13, 2014

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Color surrounds and enlivens our lives. The appropriate use of paint color in the interior of our homes can give the illusion of elongating walls, reducing corners, raising ceilings and expanding the overall room size. The colors we select not only affect our sense of the space but can profoundly affect our emotional state. When working with color, note that paint is one of the least expensive ways to artistically set the stage of our interior spaces.

The natural light coming into a home through windows and glass doors make subtle changes in the colors in each room. In Georgetown, a pink-red hue is reflected into the rooms from the brick side walks and buildings. In suburban Maryland and Virginia, green is reflected into the homes from the larger green expanses of trees and shrubs.

Here are some questions that we receive most often from clients:

Q. I am moving to a large house in this area. I am worried that the rooms will look empty. Is there any remedy by using color on the walls and ceilings?

A. Absolutely. Color can effectively change our perception of the size of a space. One example is to use accent colors that are well lit to draw the eye away from empty space to the complementary color, making a large room cozier.

After looking at the furnishings and art already in their home, we ask about the clients’ color preferences. Warm grays or beige, and creams are the most popular neutrals for providing good backgrounds. An entire house using only these background colors, however, can be boring. If the main floor is large, we recommend that one of the rooms, such as the dining room, features a contrasting color that is complementary. For example, if the other rooms are beige, we might recommend a red or terra-cotta for the dining room. Green is also a good counterpoint color. From hunter to celadon and khaki, green is the best color to show off wood surfaces such as trim, molding, and wood furnishings. We might use accents of red and green (complementary colors) on upholstery and pillows in each of the other rooms to unify the entire space.

Q. How do I know what intensity of color to use in a room? How bold can I go?

A. How intense the color can be depends a great deal on the light in the room. Choose three close but different saturations of the color you want. Paint these colors on pieces of cardboard. Place the colors close to the natural light by a window and also in a far corner that receives the least light. Then try your three different intensities of color on large patches on the wall opposite the windows. When the paint is dry observe the colors at different times of day and evening. This will save you time and money before you paint the entire room. Various finishes can be applied to enliven or soften bolder colors. Glazes can soften the color as well as give it liveliness and transparency. Sponging, ragging, and washes give texture to the walls.

Q. I love the architectural details in my apartment. It has great ceiling moldings and mill-work on the doorways. I would like to feature these elements without bold, garish contrasts. What colors should I use?

A. Ceiling moldings frame a room nicely, which is wonderful. The moldings work best when they are lighter than the wall color, although the contrast need not be great. Similarly you can show off the mill-work with a contrasting color. Follow these rules and choose a wall color that pleases you.

Q. What about white? Should all ceilings be white?

A. Ceilings do not necessarily have to be white. When choosing a ceiling color, consider the color of your walls and the size of the room. If the ceiling height is low, a soft white or cream can be the best choice. A bedroom with cream walls and blue furnishings can look lovely with a pastel sky blue ceiling. If you have a high ceiling, a faux finish such as tortoise shell or a textured color can add glamor and drama to a room for entertaining.

As for whites in general, be cautious. White is less neutral than you think. It contains all the colors of the spectrum. Art galleries paint their walls white to make a strong statement that says, “Come look.” In a residence, white is not as neutral as beige or gray. There are blue-whites, yellow-whites, pink-whites, and green-whites. A brilliant white can create eye-strain and give off glare. Whites show up paintings and picture frames, and the eye is more aware of the rectangles and squares breaking up the wall. Warmer neutrals such as beige and gray say, “Come look, relax, and stay.”

If you love white on the walls, go toward the creams. Rooms using the natural palettes of cream, beige, warm gray, and taupe can be both sophisticated and calming. Plants and flowers will soften the neutral palette. Pulling in different textures for the rugs, upholstery, and accessories can make the room more interesting. Small accents of black and navy, can add to the elegance of rooms mostly defined by the neutral palate.

Dena Verrill and Alla Rogers are principals at Dena Verrill Interiors in Georgetown. Their practice serves the metro area and anywhere their clients take them. Both Verrill and Rogers are Georgetown residents. Contact them at dena@denaverrillinteriors.com or alla@denaverrillinteriors.com . Learn more at www.DenaVerrillInteriors.com.

The Auction Block & Bringing the Hammer Down

Ari Post •

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POTOMACK COMPANY
Foxall (Foxhall) Late Fall
By Benson Bond Moore (1882-1974)
1923
Auction Date: Feb. 22
Estimate: $2,000 to $3,000
A group of American paintings with local
interest will highlight Potomack’s February
Catalogue Sale. Notable among these works is
Benson Bond Moore’s “Foxall Late Fall.” A
native Washingtonian, Moore lived in the city
for 70 years and depicted regional scenes in
some some of his greatest paintings. Foxall, as
originally spelled, was one of Moore’s favorite
areas to set up his easel. This particular rendition
of Foxhall was painted in 1923 when
Moore turned to his impressionistic style.
www.PotomackCompany.com

SOTHEBY’S
Marcelle Ferron
Untitled
Oil on canvas
Auction Date: Selling Exhibition,
Feb. 14 to March 9
Sotheby’s will present Canadian
Abstraction, a selling exhibit of mid-century
Canadian abstract art in New York. This is
the first exhibit of its kind outside of Canada
in decades, which will highlight some of the
best examples of works by artists such as Jean
Paul Riopelle, Jack Bush, Jacques Hurtubise
and Marcelle Ferron, many of whom were
exhibiting their work alongside the great midcentury
Surrealists, Modernists and Abstract
Expressionists in New York, London and Paris.
www.Sothebys.com

FREEMAN’S
Chinese Famille Rose Porcelain ‘Boys’ Vase
Daoguang mark and of the period
Auction Date: March 15
Estimate: $30,000 to $50,000
Part of its Asian Arts auction, Freeman’s will feature a selection of exquisite
porcelain and bronze artifacts, including this this rose porcelain vase
decorated with a group of young boys.
Other highlights include a Tibeto-Chinese cloisonne enamel gilt
bronze stupa and a Japanese Namikawa Sosuke cloisonne enamel vase.
www.FreemansAuction.com

SLOANS AND KENYON
Selection of Exotic Skin Handbags from the
Estate of a New York Lady
Auction Date: February 22
Sloans and Kenyon’s Auction of Vintage
and Contemporary Fashion, Couture and
Jewelry will open with an exhibition from
Feb. 19 to 21, and will feature vintage and
contemporary fashion, couture and accessories
by designers including Chanel, Hermès,
Louis Vuitton, Dolce & Gabbana, Oscar de la
Renta, Yves Saint Laurent and many others,
including signed vintage and costume jewelry.
www.SloansAndKenyon.com

DOYLE NEW YORK
Set of Six Russian Gilt and Polychrome
Decorated Porcelain Dessert Plates
Krnilov Brothers Manufactory, St. Petersburg,
ca. 1900
Auction Date: Feb. 19
Estimate: $15,000 to $20,000
Doyle New York’s Belle Epoque Auction
will showcase 19th and 20th century fine and
decorative arts reflecting the opulence of the
bygone era. These featured plates are each
decorated with a circular medallion depicting
different historic versions of the Russian State
seal, including a double-headed eagle with
outspread wings clutching an orb and scepter
surmounted by a crown. Other highlights
include a Russian bronze by Nikolai Lieberich,
a Tiffany canister lamp, and an elaborate
Napoleon III gilt-metal ebonized side cabinet.
www.DoyleNewYork.com

BRINGING THE HAMMER DOWN
Final selling prices for last month’s
featured Auction Block items:

DOYLE NEW YORK
Saint John the Baptist Roman School
17th Century
Auction Date: Jan. 29
Estimate: $6,000 to $10,000
Final Selling Price: $11,250

BONHAMS
James Edward Buttersworth (1817-
1894) “Schooner’s from the New York
Yacht Club Racing in the Narrows”
Oil on canvas, ca. 1870
Auction Date: Jan. 24
Estimate: $70,000 to $100,000
Final Selling Price: $106,250

SOTHEBY’S
“A Child and Nurse in the Foyer of
an Elegant Townhouse, the Parents
Beyond Jacob Ochtervelt” (1634-
1682)
1663
Auction Date: Jan. 30
Estimate: $3 million to $4 million
Final Selling Price: $4,421,000

FREEMAN’S
“Allegory of Poverty and Vengeance”
Northern Italian School
ca. 2nd half of the 16th Century
Auction Date: Jan. 28
Estimate: $10,000 to $15,000
Final Selling Price: $17,500 [gallery ids="101633,146086,146077,146080,146084" nav="thumbs"]

Heather Parness: Right Woman, Right Job, Right Time

Robert Devaney •

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Everyone is talking about the dynamism
of Washington, D.C.; its new growth in
neglected neighborhoods, the influx of
the younger generation and of investors’ money.
There is opportunity all around, whether for
jobs, in politics — or in real estate.
Such an opportunity is why the largest
independent residential real estate company in
the United States hired Heather Parness in July.
Long & Foster Real Estate, Inc., went across the
country to get its regional senior vice president
for the Washington, D.C., market. It created that
new position for Parness.

The 40-year-old native of Greeley, Colorado,
now lives in a very Washingtonian place —
Washington Harbour in Georgetown — next to
very Washingtonian neighbors, such as House
Minority Leader Nancy Pelosi and Washington
Nationals’ owner Mark Lerner.

Parness, who began working in real estate
in 1992 at the age of 18, says the reason she
got into real estate was that she was raised by a
single mother and had to pay for college. “I got
a job in a real estate office and fell in love with
the industry.”

More specifically, she says, “I fell in love
with the entrepreneurial spirit of real estate
agents. … You can do what you want … how
you want to do it … and make as much as you
want. The sky’s the limit.”

“I am more personally drawn to the management
side of the company,” says Parness, who
adds she is methodical and loves the legal side
of the business. She has done everything in real
estate — “I have grown up in it,” she says — from
being an assistant to an agent, to doing office
technology and moving into management.
In Denver, she headed up Perry & Co. Real
Estate and then Fuller Sotheby’s International
Realty. As a number one, she got the attention
of Long & Foster.

“I have a huge amount for respect for Wes
Foster and the company he built,” Parness
said. Long & Foster Real Estate president Gary
Scott first contacted her. Then, she came to
Washington to meet him, Jeff Detwiler, president
of Long & Foster Companies, and Wes,
himself.

Parness is well aware of the “amazing
opportunity” to learn from them. “You don’t
get that opportunity very often,” she says. “You
do not often get access to a position like this.”
In the Washington, D.C., region, there are 13
offices, including W.C. & A.N. Miller Co. But
it is the Logan Circle office, which is about to
open, that has her excited. “There are amazing
parts of Washington, D.C.,” says Parness, who
sees smaller-scale offices opening down the line.
“After all, it is all about servicing the agent.”
There will be more luxury events via
Christie’s International Real Estate. It is also
about art, she says. Someone buying such an
expensive home will likely have quite an art collection.
Art shows, wine tastings and appraisal
events are planned for March or April and the
months ahead.

Meanwhile, Parness has adapted to East
Coast traffic, D.C.’s easily called snow days
and the pleasant surprise of “a diverse, educated
demographic.”

“D.C. is an exciting, growing town” — with
a younger crowd, too. “People are pleasant and
fun to talk to,” she says. “As you might expect,
there seem to be more political discussions here
than elsewhere.”

Parness is studying the changing and
improving demographics of D.C. — checking
out downtown, City Center, Capitol Riverfront
Business Improvement District and all the way
to Anacostia. She is part of the plan of growth
that Long & Foster perceives as being ahead of
the curve.

“There’s a lot of strategic pieces that we’re
putting into place right now,” she says. And
Parness seems like the perfect member of that
strategic team for Long & Foster, fitting in well
with its energy and ambition.

EastBanc to Reintroduce Key Bridge Exxon Condo Designs

Robert Devaney •

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It is back to the future for developer EastBanc and its proposed condos at the Key Bridge Exxon property on Canal Road. Expect a repeat performance of design questions and neighbors’ opposition.

With its 1055 Water condo project well on its way to completion, the developer will turn back to its condo plans for the gas station property, next to the “Exorcist” steps and the Car Barn. In April 2011, EastBanc’s plans called for a 35-unit building to rise to the height of Prospect Street properties above. With some neighborhood opposition and designs overly revised, EastBanc head Anthony Lanier sidelined the project.

Designs for the M Street-Canal Road condos at the site will be re-introduced at the March 3 meeting of the Georgetown-Burleith Advisory Neighborhood Commission 2E as well as the Old Georgetown Board meeting on March 6. According to EastBanc, plans call for 26 to 28 units, “averaging 2,500 square feet in size,” each with two parking spaces.

Mary Mottershead of EastBanc offered more details to the Georgetowner: “The latest plans for this project at 3601-3607 M St are fairly similar in massing to the previous studies we undertook several years ago as they also follow the C-2 A zoning guidelines for the site.  However, the new design is very different with the idea of being a quieter, more neutral design which does not compete with all the different very busy townhouse elevations above nor with the wedding cake design of the Arthur Cotton Moore building to the west nor with the massive and heavy design of the Car Barn to the east. …”

“As for the neighbors above,” she continued, “the roof height of our building is below the lowest levels of those townhouses.  However, our building needs space above for elevator overruns and stairwells and mechanical units and exhaust pipes and the like.  By zoning, buildings are allowed 18-foot penthouses to accommodate mechanical equipment, but in consideration of the sightlines of these neighbors, we have undertaken many studies to look at other options which limit the impact to the views of the neighbors.  Hence, we have spent a lot of time with our mechanical engineers and our landscape architects, OVS, to design a rooftop with equipment and penetrations that are lower in profile and also well screened with green roof areas where possible.”

And, as for those neighbors above on the 3600 block of Prospect Street, whose houses would overlook the condos, EastBanc met with some of them individually about two weeks ago to discuss the new designs.

According to one neighbor, who requested anonymity, they were “surprised by the three-week notice” before the public meetings. As for the new design, the person said: “We will be vocal in our opposition. … The proposed building is more of what was presented last time: a massive contemporary structure.”

The homeowner cited the five-story condo design’s lack of historic context, saying it is a highly visible gateway to Georgetown, vibrant with a historic wall and steps and the spires of Georgetown University in the distance. Add to the new view the obscuring of greenery along the hill. “Is this the kind of design we want all to see? It will be a huge statement.”

Acknowledging that some views from their homes and backyards would be obstructed, the homeowner also cited environmental issues. The hillside part of their back property is fill dirt from earlier construction at Georgetown University and requires some neighbors to re-enforce their house, back yards and walls: “Construction would jeopardize the stability of the hill, which holds up our property.” With the soft dirt on the hill, the homeowner said that one house on Prospect Street sustained hundreds of thousands of dollars in damage because of the August 2011 earthquake.

Neighbors seek a four-story condo complex at 40 feet above street level. Prepare for some serious discussion at next week’s public meetings. [gallery ids="101649,145222" nav="thumbs"]

The Auction Block March 12, 2014

Ari Post •

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Doyle New York

The Forster Flag

Auction Date: April 9

Estimate: $1 million to $3 million

This important relic of our nation’s past is the earliest extant flag incorporating 13 white stripes to represent the 13 United Colonies. Prepared for militia use a full year before the Declaration of Independence, the Forster Flag was inspired by Liberty Flags flown in Boston in the years following the hugely unpopular Stamp Act (1765) and the Boston Tea Party (1773). Comprising a field of fine red silk, a canton of numerous stitched lengths of a differing red silk and 13 applied white stripes, the flag has never been restored and is in a remarkable state of preservation with fresh original color.

Freeman’s

Child Hassam (1859-1935)

“The Norwegian Cottage,” 1909

Oil on canvas

Auction Date: March 30

Estimate: $200,000 to $300,000

This brilliant work of American Impressionism is part of the auction of the George D. Horst Collection of Fine Art. Tucked away in the depths of the Sheerlund Forest in Pennsylvania, a modest dwelling held an unknown cache of paintings. The collection includes fine examples of world-famous American and European painters such as Frank Weston Benson, Childe Hassam and Jean-Baptiste-Camille Corot. The Horst collection is a beautiful time capsule, to be revealed for the first time later this month.

Sotheby’s

John James Audubon and John Bachman

“The Viviparous Quadrupeds of North America,” 1845-48

Auction Date: April 1

Estimate: $200,000 to $400,000

Sotheby’s will auction copies of John James Audubon’s two masterworks, consigned by the Indiana Historical Society. In four monumental volumes, “The Birds of America” of 1827-38 preserves 435 hand-colored aquatint plates depicting all the species of birds then known in the United States. Commonly known as the “Double-Elephant Folio” – after the size of the paper that had to be specially made for the publication – “The Birds of America” has long been recognized as a towering achievement of both book illustration and natural history. Smaller in size and reputation, though perhaps not in significance, is Audubon’s “The Viviparous Quadrupeds of America,” which contains 150 hand-colored lithographs of American mammals, on many of which Audubon was assisted by his son John Wodehouse Audubon.

Sloans and Kenyon

Early 20th-Century Carved and Painted Carousel Horse

with Glass Eyes and Metal Horse Shoes, Mounted on Brass Pole.

Auction Dates: April 12-13

This piece of early 20th-century Americana will be sold as part of the April Estate Catalogue Auction at Sloans and Kenyon. The rustic, well-preserved painting is reminiscent of the early French style of old-fashioned carousels. The mechanical carousel was an innovation at a crucial time in American culture, when increased prosperity meant that more people had time and money for leisure pursuits. The principal novelty of the modern fairground was the carousel, delighting thousands of pleasure seekers at home and abroad. To view all of the auction items, download the free Sloans and Kenyon iPad catalogue app.

Bringing the Hammer Down

Final selling prices for last month’s featured Auction Block items:

Doyle New York

Set of Six Russian Gilt and Polychrome Decorated Porcelain Dessert Plates

Auction Date: Feb. 19

Estimate: $15,000 to $20,000

Final Selling Price: $34,375

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Martha Stewart’s American Made Gets Local

Georgetowner • February 27, 2014

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As a community publication and local media outlet, Georgetown Media Group believes that small companies can make a big difference. We understand the importance of local and regional companies to the fabric of our country, from our culture and identity to the national job market. A small, local company is often more flexible, more personal, and frequently better tailored to the individual customer than larger, national enterprises.

That said, big business is nothing to be demonized or belittled—we believe they work hand-in-hand with local enterprises to define our national economy and identity. When our country functions on a local and national level together, that is when America is functioning at its best.

Martha Stewart’s American Made Workshop is a wonderful bridge between the local and national market. Long since working as one of our country’s most beloved homemakers, Martha Stewart has made a lasting impression on our American lifestyle. From her magazine, Martha Stewart Living, to her frequent holiday specials and television appearances, she has touched the lives of millions across the country, championing an eternal American warmth that is at once intimate and all-encompassing.

Her American Made Workshop gives small businesses throughout the country the opportunity to have their voices heard. From gardening to crafts, from custom-built furniture to food, technology and community organizations, these homespun enterprises are selected by Martha Stewart’s team at American Made and the public to forge ahead with the spirit of “made-in-America.”

As part of the American Made Workshop’s annual Audience Choice Awards, craftsmen are free to nominate themselves and be nominated by the public. If you are a small-time creative entrepreneur, this is an opportunity to get yourself onto a national stage for a chance at $10,000 to further your business.

Nominations for this year’s competition began last June, and it continues through to when the voting begins on Aug. 26. On Oct. 16 – 17, the winners will be announced at the annual American Made Workshop event in New York City.

Go check out www.MarthaStewart.com/AmericanMade, and see for yourself all the amazing enterprises around the country. From a sculpture studio in Madison, Wis. that forges custom cast-iron skillets in the shape of every state, to a Chicago-based organization that creates organic urban agricultural environments, you will be blown away by what you find.

And keep an eye out for Doug Deluca with Reclaimed America, a Washington area local who uses reclaimed wood and recycled materials to create everything from heritage tables to custom-made beds, as well as some of the nice kitchens.

American Made spotlights the maker, supports the local and celebrates the handmade. This is your chance to join the editors of Martha Stewart Living at the American Made Workshop, whether you’re discovering new makers, sharing your latest local finds, or voting for the Audience Choice winner.

Be a part of the movement. [gallery ids="119008,119004" nav="thumbs"]