‘Dear Evan Hansen’: The Next Big Thing?

In a Broadway theater world where the search for the next big thing is always on, “Dear Evan Hansen,” the new musical having a world-premiere run at Arena Stage through Aug. 15, has a lot going for it.

In many ways, it’s a thoroughly modern musical, with contemporary music, themes and central characters, and with rising theater artists at the helm. The show — about a young man who pretends to have been a close friend of a troubled high school student who’s committed suicide — is the work of a group of artists who’ve already made names for themselves on Broadway. And the cast is both an exciting and calming mixture of young and older pros.

Directed by Michael Greif, whose credits include “Grey Gardens,” “Next to Normal” (which was rebooted for Broadway at Arena Stage) and “If/Then,” starring Idina Menzel, which had its pre-Broadway run at the National Theater two seasons ago, “Dear Evan Hansen” has a book by Steven Levenson, who penned “The Unavoidable Disappearance of Tom Durnin” (staged at Roundabout Theatre), as well as scripting and co-producing the hit Showtime series “Masters of Sex.”

The music and lyrics are by Benj Pasek and Justin Paul, noted for the hit “A Christmas Story: The Musical” and “Dogfight,” produced Off Broadway at Second Stage Theatre (and, coincidentally, being staged at the Keegan Theatre in Dupont beginning Aug. 22).

Ben Platt is headlining “Evan Hansen” as Evan Hansen, bringing some major movie mojo to the project after being the male lead in the hugely successful “Pitch Perfect” movies (1 and 2) and appearing with Meryl Streep in “Ricki and the Flash,” now playing at a Cineplex near you. He made his Broadway debut as Elder Cunningham in “The Book of Mormon.”

For Michael Park, playing alongside another Broadway veteran, Jennifer Laura Thompson, as the shaken parents of Connor, the teen lost to suicide, “Dear Evan Hansen” has been a unique experience. “Being in a show like this from the beginning, an original American musical with all that phrase implies, is exciting. It’s really being part of the process from the beginning, from inception, all the readings, the workshops, the rehearsal. And it’s still changing. This project remains electric and alive even now, because this is the first time it’s gone in front of a paying audience.”

The hope, of course, is that the show will eventually wind up on Broadway. Like some of the other shows involving the creative team of Greif, Levenson, Pasek and Paul, it’s part of an ongoing attempt, on Broadway and in the theater in general, to find the kind of musical that taps into the temper of the times and pushes the genre forward.

Park may be best known for playing Jack Snyder on the hugely popular daytime soap opera “As The World Turns,” for which he received two consecutive Emmy Awards for Outstanding Lead Actor in a Drama.

His theater credits are varied and rich. He was in the original cast of “Smokey Joe’s Café” and played Billy in “Carousel,” the difficult part of Gooper in a recent production of “Cat on a Hot Tin Roof” and Mr. Bratt in “How to Succeed in Business Without Really Trying.” Off-Broadway, he was in “The Threepenny Opera” at A.C.T., “Hello Again” at Lincoln Center and “Violet” and “The Burnt Part Boys” at Playwrights Horizons.

He was also in the live television productions of “Peter Pan” and “The Sound of Music” on NBC. “That can be scary,” he said. “It’s sort of like theater in the sense that it’s live, but there’s no audience. But then again there’s an audience of millions.

“This is a very touching, moving show,” he said. “Playing a parent, well, I know about that, and it touches you deeply and easily. I’ve been very lucky to do the things I’ve done. I have a good and real life, and that keeps you grounded. I’ve been married for 20 years to my wife Laurie Nowak, who’s a music therapist, and we have three children, daughters Annabelle Jayne and Kathleen Rose and son Christopher Michael.” He understands all sorts of audiences, including the somewhat insular, fanzine world of soap operas. “Fame, celebrity, all of that is nice if it comes, but I’m an actor who loves the work, and loves my life.

“I think Broadway — especially the world of Broadway musicals — is always trying to find a new voice, a new way of creating work that touches an audience, for its music, for its drama, or style and theme. I’ve been around it a lot and it’s a crowded field. Those songs by Jerry Leiber and Mike Stoller were wonderful. I’ve done Rodgers and Hammerstein and ‘Business’ as well.

“I think this is a pretty special creation. It’s original, down to earth, it is romantic and moving at the same time. I love being a part of it, of getting to work with everybody here. It’s very much a part of our times, and in that sense it’s very alive, and I think it will attract that elusive new audience that’s out there.”