Texas Novelist and Georgetown Bookseller Larry McMurtry, 84
• April 1, 2021

The author of “Horseman, Pass By” (reworked by Hollywood as “Hud”), “The Last Picture Show,” “Terms of Endearment” and “Lonesome Dove” died on March 25.

Weekly Arts Round Up, March 18, 2021
• March 18, 2021

This Saturday, Olympic gold medalist Laurie Hernandez will be the special guest at the National Archives Museum’s virtual pajama party.

Georgetown Resident Is Co-Author of ‘Dior in Bloom’
• March 14, 2021

Each chapter of the book explores a different aspect of Christian Dior’s life and work. Naomi Sachs’s essay focuses on nature as his inspiration and restoration.

‘False Light’: Revenge Can Be Sweet When It’s Untraceable
• March 11, 2021

Eric Dezenhall’s latest is a fast-moving novel about a crusty journalist at a prestigious daily newspaper in Washington, D.C.

‘Widowish: A Memoir’
• March 10, 2021

In this very personal narrative of joy, grief and recovery, author Melissa Gould struggles with the loss of her husband and the category it suddenly puts her in.

Weekly Arts Round Up, February 25, 2021
• February 25, 2021

Books to be discussed online by their authors: “French Like Moi” and “Michelle’s Garden: How the First Lady Planted the Seeds of Change.”

Weekly Arts Round Up, February 18, 2021
• February 18, 2021

On Friday afternoon, the Black Georgetown Community History Project will explore the family collection of sixth-generation Georgetowner Neville Waters online.

Kitty Kelley Book Club: ‘Pride of Family’
• February 11, 2021

A decades-old memoir by Carol Ione and the brand-new Frances “Frank” Rollin Fellowship for African American Biography celebrate Black women and Black writers.

Weekly Arts Round Up, February 4, 2021
• February 4, 2021

Get into a February frame of mind with red works of art at Washington Printmakers Gallery and two streamed poetry programs.

Kitty Kelley Book Club: ‘Henry Adams in Washington’
• January 14, 2021

Though fact-filled, this biography by George Washington University professor of English Ormond Seavey does strangely little to reveal the private man behind the public persona.