Social Scene

Mary Bird • June 18, 2012

GALA, the National Center for Latino Performing Arts, celebrated the Inter-American Year of Culture in collaboration with the Organization of American States at the Art Museum of the Americas on April 16. The picture perfect evening honored singer/songwriter Ricardo Montaner, arts and business leader Janet Farrell, and American Airlines for its corporate philanthropy. GALA provides opportunities for the Latino artist, educates youth and engages the entire community. Costa Rican Ambassador Muni Figueres heralded GALA Co-founder/Executive Director Rebecca Medrano as “a motor and a muse.” [gallery ids="100764,123252,123246,123240,123211,123234,123220,123227" nav="thumbs"]

Mary Bird •

First Lady Michelle Obama served as Honorary Chair of the 2012 Smithsonian Craft Show. The April 18 Preview Night Benefit drew an enthusiastic crowd to the National Building Museum. Craft Show Co-chairs Anne-Lise Auclair-Jones and Ann Peel joined with Wendy Somerville Wall, President Smithsonian Women’s Committee, for what is widely regarded as the country’s most prestigious juried show and sale of fine American craft featuring 121 distinguished craft artists for the 30th Anniversary Celebrating the Creative Spirit of America. [gallery ids="100765,123282,123241,123275,123249,123270,123257,123265" nav="thumbs"]

Mary Bird •

Basking in the stellar reviews of Alice (in Wonderland), The Washington Ballet is partnering with Imagination Stage in Bethesda for The Lion, The Witch & The Wardrobe, which will run June 20-August 12, promising a dazzling fusion of dance, acting and puppetry. On April 19, Evonne Connolly, Jean-Marie Fernandez and Anna Marie Parisi-Trone hosted a spring trend fashion presentation at Saks Chevy Chase. WB Artistic Director Septime Webre and his companion stuffed lion encouraged everyone to “step through the wardrobe into the magical world of Narnia. [gallery ids="100766,123299,123272,123292,123280,123288" nav="thumbs"]

Mary Bird •

Ambassador of Japan Ichiro Fujisaki and Mrs. Fujisaki were the Honorary Diplomatic Chairs at this year’s WPAS Gala and Auction which took place at the Marriott Wardman Park Hotel on April 21. NBC4 Anchor Barbara Harrison emceed the event which headlined musical giant Brian Stokes Mitchell. Governor of Virginia Bob McDonnell astutely noted that “if we could get Congressmen singing and dancing together, we might get something done.” Among its many outreach activities, the WPAS Embassy Adoption Program has touched the lives of over 60,000 children. [gallery ids="123393,123327,123387,123336,123381,123345,123376,123361,123369" nav="thumbs"]

Gary Tischler •

We were almost late to the Washington National Opera premiere production of Giuseppi Verdi’s spectacular and inventive “Nabucco” last Saturday because our cab driver drove smack into the crowd scene surrounding the White House Correspondents’ Dinner at the Washington Hilton.

Rubberneckers hoping to see George Clooney or Lindsay Lohan lined parts of Connecticut Avenue in the beginning rain. We settled for “Nabucco,” aka Nabucodonosor, aka Nebuchadnezzar, plus his two daughters Fenena, the lovely, and Abigaille, the fierce, plus a host of Hebrews in captivity, a high priest of Baal and a cast of hundreds including a magnificent chorus.

I thought about the WHCD a little during the long course of “Nabucco” because director Thaddeus Strassberger (who also designed the sets) brought a two-edged sensibility to the production, a kind of showtime aspect as well a faithful presentation of the kind of opera for which Verdi was famous.

Strassberger’s main conceit or invention is to stage the opera as it might be seen on an opening night in Milan’s Teatro alla Scala on March 9, 1842, with the tuxedoed swells and their jeweled ladies in boxes watching from boxes, presaged by marching soldiers. He revisits the concept later in the opera when the stage is transformed, with a large, white-clad chorus assembling to sing the moving “Va, pensiero,” a musical piece so powerful that it became the unofficial national anthem of Italy once it achieved unification. Closer to the front of the stage, you can see a ballerina practicing, men and women milling at a table, and patrons of the time moving about.

This apparently approximated performance practices of the times–frequent intermissions, prologues, performances by ballet dancers, a kind of informality that was both grand and intimate.

Since “Va, pansiero” is a kind of longing, full-bodied lament on the part of the Israelites in captivity in Babylon for the lost homeland, one might think the business on the stage might distract from the plight. But the opposite takes hold–it becomes a moving, extended moment (which had echoes for a divided and occupied Italy), so moving that it is done again, with the hope that the audiences of the time might join in.

Historically, “Va, pansiero” is a highlight of any production of “Nabucco.” That was true for the WNO production, but Verdi’s music, so expansive and such a boon for the orchestra, draped itself over the principals, all of them in various degrees gifted with requisite vocal and acting skills. While several narrative strands emerge from the opera–there’s Nabucco’s calamitous, blasphemous destruction of Solomon’s Temple, the defeat and captivity of the Hebrews and the effect on their leaders — a love affair between one Fenena and a handsome Hebrew warrior, the anti-hero and anti-heroine of “Nabucco” are the Babylonian king and his low-born, grandly angry and resentful warrior daughter Abigaille.

While there are imposing vocals and star turns by bass Soloman Howard as a venomous high priest of Baal, Turkish bass Burak Bilgili as the Hebrew leader Zaccaria, French mezzo-soprano Geraldine Chauvet in a moving performance as Fenena and tenor Sean Panikar in heroic form as Ismael, the burden of the opera has to be carried by Italian baritone Franco Vassallo as Nabucco and Hungarian soprano Csilla Boross, as his usurping daughter as Abigaille. They occupy large chunks of this nearly three-hour opera, sometimes in cross-purposed, combative duets, sometimes by themselves, especially Vassallo as Nabucco moves in and out of madness alone in a prison cells. Boross hits the highest notes possible at the top of the scale in full rage, her bile and resentment boiling over, preceded by lower-level guile as she attempts to manipulate the king.

This is Verdi-style grand opera, of course, and not to be mistaken for history, per se, although the scale and sources are somewhat biblical–gods, the Babylonian Baal and the Hebrew Jehovah, are omni-present if not in the flesh. The production–subtle in some of its staging–also means to bowl you over with sheer grandiosity, and it succeeds. Mattie Ullrich’s diverse, eye-pleasing costume designs–the clean white of the Hebrews contrasts sharply with the rich, intricate, gold and greens of the Babylonian hierarchy, mixing in with more spectral presences and the 19th-century evocations of the on-stage onlookers.

“Nabucco” is being performed at the Kennedy Center’s Opera House through May 21. [gallery ids="102449,121127,121137,121133" nav="thumbs"]

Mary Bird •

The Helen Hayes Tribute, sponsored by Jaylee Mead, was presented at the Warner Theatre on April 23 to Kevin Spacey. Chairman of the theatreWashington Board of Directors Victor Shargai termed him a man who understands that theatre is a transforming experience. Spacey delighted the audience with tales such as when his mentor Jack Lemmon recommended him for an apartment in New York by saying of the then young actor “the only things he’s ever stolen are my scenes.” Greater Washington is second only to New York for the number of yearly productions.

Georgetowner •

The D.C. Arts and Humanities Education Collaborative held its spring event “Patriotic Arts Education Celebration Fete” at the Lincoln Restaurant, where more than 150 arts education enthusiasts turned out to support the mission of providing access to arts and humanities for all of D.C. public school students. Honorary co-chairs included Delegate Eleanor Holmes Norton, Representatives John Lewis and Louise Slaughter as well as D.C. Schools Chancellor Kaya Henderson. [gallery ids="100802,124482,124476,124469" nav="thumbs"]

Robert Devaney •

At Virginia’s Gold Cup races, May 5, rider Ross Geraghty and trainer Joseph Delozier are awarded the Washington Fine Properties Cup by Tom Anderson (center) along with Dana Landry, Marc Schappel and William Moody (behind), thanks to their horse, Lake Placid, owned by Irvin Naylor. This fourth race of about 2.5 miles held a purse of $25,000, of which the winner received $15,000.

Mary Bird • June 8, 2012

Barbara Camens, president of Suited for Change, welcomed guests to Suited for Spring, a 20th anniversary luncheon held at the Capital Hilton May 10. SFC partners with more than 70 community organizations that refer clients for assistance in professional attire and job readiness training. TV reporter Jummy Olabanji interviewed SFC client Ivana Willis, who said SFC mentoring gave her confidence to reenter the work force. Willis now holds a permanent position as an administrative assistant at the American Psychological Association. [gallery ids="100809,124662,124654,124641,124649" nav="thumbs"]