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Peggy Sands • December 7, 2016

Eight FavoritesWashington Harbour Ice Skating One of the top local winter-holiday activities is ice skating on the rink at Washington Harbour. This was reported by a 5-year-old, a 7-year-old and […]

Richard Selden • October 26, 2016

Senior vice president of design and development for New York-based Euro Capital Properties, Rakel Cohen designed the Watergate Hotel’s 7,000-square-foot Moretti Grand Ballroom herself, the stylish young woman tells an […]

The Georgetowner •

The money sprouts every spring in Book Hill Park, dangles from the rosebushes at Montrose Park and shades the old brick sidewalks. The greenery that makes Georgetown so special comes […]

Peggy Sands • September 29, 2016

According to Malmaison owner Zubair Popal, work by Pepco, DDOT and NPS over the next three months, the restaurant’s busiest season, is a disaster for his business.

Georgetowner •

It’s a weekend of but-once-a-year events: the Taste of Georgetown, the DC Design House preview, the Smithsonian’s Autumn Conservation Festival, Rosh Hashanah and the Blessing of the Animals at St. John’s.

Tyler Hetu •

The day before their Sept. 29 White House visit, Olympic and Paralympic athletes dropped by Georgetown University’s McDonough Arena for an awards show — to the delight of students.

Jeff Malet • September 26, 2016

There were more than 100,000 attendees, and many celebrity authors, at this year’s festival, held Sept. 24.

Robert Devaney • June 7, 2016

Frida Frazer Winslow Burling, one of Georgetown’s oldest and noted citizens, died May 26 at her Washington, D.C., home.

Her daughter Belinda Winslow told The Georgetowner: “Mother passed away peacefully this morning about 10. She was surrounded by family and love. We did a circle of love and recited ‘The Lord’s Prayer.’ ”

Last weekend, Burling began receiving hospice care and died in her own bed in her own house on 29th Street.

That same weekend, she received an award — which her daughter Belinda accepted on her behalf — from the Episcopal Bishop of Washington Mariann Budde at St. John’s Church on O Street in Georgetown.  Burling was also visited at home by Rev. Gini Gerbasi of St. John’s and by Rev. Johnsie Cogman of Mount Zion United Methodist Church across the street from her house.

A memorial service is planned for September at St. John’s in Georgetown.

Yes, Georgetown’s Frida Burling — born in Sept. 16, 1915, in Newport, Rhode Island — led a life that merited many an award and was worth celebrating, especially in her town. 

When people talk about legacies and life stories, usually the tale is about how you lived your life, and what your markers there are along the way that tell your story and note what you bear your participation in your life and in your community.   

Here at The Georgetowner, we’ve always felt, ever since we encountered Frida Burling in her first forays into making something iconic, lasting and permanent out of the annual Georgetown House Tours, that in many ways, she represented an ideal of community and citizen here. Not just because of the tour itself — although she always gave the yearly celebration of Georgetown history and essence her full energy — but because she embraced the idea of community service and identity with place with all the joy she could muster, which was considerable. Ask those involved with the Junior League of Washington, another one of her favorite efforts.

Burling was and has always been, even now — with that beautiful energy now extinguished — a Georgetowner who represented her town and herself more than well. 

She had a deep, abiding love for the place where she lived and was never afraid to show it —and to be persuasive in her efforts to get others to join her in her various efforts that included the Georgetown Ministry Center as well as other programs at St. John’s Episcopal Church.

When she came looking for volunteers and help for the tour, whether to host patron’s parties or have homes on the tour, she was pretty hard to resist, because Frida always had an immense reservoir of charm, humor and knowledge and a sense of life’s duty and rewards.  

When we sat down with her in early September 2015 just before her 100th birthday at her 29th Street home — which is one of those sunny, stylish, book-filled residences that perfectly reflected the life she and her late husband Edward Burling shared there — she still had that empathy in her eyes and certain certitudes also.

She led a life which allowed her to dive into causes with fervor that was fueled by compassion, as well as self-assurance — she was at the 1963 Civil Rights rally and historic Martin Luther King, Jr.’s “I Have a Dream” speech. In her book, you will find a picture of her gleefully holding up a sign (“Money for Jobs Not War”) at a rally protesting U.S. policy.

Burling’s lifetime spanned 17 presidencies: Wilson, Harding, Coolidge, Hoover, FDR, Truman, Ike, Kennedy, LBJ, Nixon, Ford, Carter, Reagan, Bush 1, Clinton, Bush 2, and Barack Obama. She remained firm about her loyalties and preference. Asked who her favorite president during the course of her life was, she emphatically said, “Barack Obama.”

Her long life produced a sense of continuity, a feel for its history, detailed and otherwise, and that burgeoning consistent warmth provided by family. In Burling’s case, one that produced a fair-sized clan and tribe from two marriages, both by any measure fruitful and well-shared.

But knowing Frida and knowing about her also gave you a sense of her values and the values and history of the community — she was exercising in the gym in her nineties — which she championed with that sustained energy of hers.

Jeff Malet • May 11, 2016

The Friends of the National World War II Memorial and the National Park Service paid tribute to the Greatest Generation during a special Mother’s Day event at the National World War II Memorial in Washington, D.C., May 8, commemorating the 71st anniversary of the Allied Forces Victory in the Atlantic and the end of World War II in Europe.

As part of the ceremony, nearly a dozen World War II veterans laid wreaths at the “Freedom Wall” of the Memorial in memory of the more than 400,000 Americans and 60 million people killed worldwide during the deadliest military conflict in human history.

Approximately 60 WWII veterans were in attendance, all in their 90s, including veterans visiting the memorial with the Puget Sound Honor Flight. The Civil Air Patrol, which is celebrating its 75th anniversary, took part during the ceremony as well. Ambassador of Ukraine to the United States Valeriy Chaly presented a special memorial wreath on behalf of his country. Leon Harris of ABC7 News Channel 8 served as master of ceremonies.

Another V-E observance followed, this one by the Russian community of the U.S. on behalf of the men and women who defended Russia against Nazi aggression. After marching past the White House, dozens descended on the World War II Memorial holding signs carrying placards with photos of ancestors who died in WW II. Organizers hope to make this an annual event.

View our photos from V-E Day at the World War II Memorial by clicking on the photo icons below. (All photos by Jeff Malet)
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Gary Tischler • April 22, 2016

When news came April 21 of the death of Prince, the 57-year-old  rock-funk-jazz-soul ageless music dynamo through the course of the day and night, the response here in Washington, D.C., seemed especially electric and full of shock.

A Hispanic bank teller looked unbelieving and asked, “How, when, what happened?”  A black woman, pacing back and forth, replied, “Today, this morning . . . We’re losing our icons. He was an icon. I mean whom do we have left?”

As his name, given to him by his father, another Prince and musician, indicated, he performed from the get-go as some kind of special royalty — not in any kiss-the-ring fashion, but in a way that set him and his multitude of gifts apart. He was an original, who could play all the instruments that any sort of music required. He was a gem and something of a genius, a songwriter, a movie star in his own movie based on his life, a live performer who was brazen, colorful and full of color, a thin, small African American who cast a large shadow on America’s music.  He was a chameleon of independence. He changed bands, identities and clothes, styles and ways of walking and talking and writing.  

To America’s black funkadelics and soul-searchers, this was a hurtful loss because it seemed to come out of nowhere. The cause of his death — he was found unresponsive in his Minneapolis compound — has yet to be determined, although there have been rumors and speculations swirling that he had several days ago perhaps overdosed on the highly addictive pain killer drug Percocet and that he had been in serious pain for some time due to hip problems and the fact that religion forbids the blood transmissions required for such surgery.   Whatever the cause, the end result will be only sadder for all the loss.

To youthful and also memory- and music-driven African Americans, his death is a heavy blow, every bit as painful as the deaths of the legendary Whitney Houston — and perhaps more to the point, Michael Jackson. 

Prince embraced — and then often improved upon, and  certainly embellished just about every form of American pop music that he encountered.  He jumped into those waters gleefully, confidently, even arrogantly early on and just stirred and muddied the waters, singing with a certain rawness about sex and love, and also a adding a considerable amount of soul-searching content, especially in “Purple Rain,” which was the title of his best known album and a movie about himself in which he starred. The film grossed around $80 million — not a bad outing for the times and for what it was, plus an Oscar for musical score.

The youthful generations of the 1970s, 1980s and 1990s embraced him, including young white people, while others were baffled by him and underappreciated him. That could include many of us who didn’t bother to explore the depth and range of the body of work which placed him — and continues to — in the top ranks of rock, pop, soul and jazz musicians.  Some folks scoffed at his attempts to put almost every kind of music into one album, or one song—but he did it anyway. Duke Ellington’s phrase “beyond category” appears created for him.

He pressed issues of his identity — including his much speculated-upon sexual identity. On stage, he managed to project a kind of direct, male sexuality that could also be at turn androgynous, driven by a feel for costume and style, and his forays into high-pitched vocals.  Girls — and boys — loved him. Boy George claimed he had an affair with him, but then so did some high-profile female sex symbols like Kim Basinger and Madonna. 

His appeal seemed to defy category, gender, ethnicity and race, while embracing all their aspects.

His younger self party-inducers were explicit. In his later years, Prince became a Jehovah’s Witness and toned himself down a little.  He seemed always to be searching: so much so that for a time he dropped the name Prince and instead went by his own love symbol symbols or as “the artist formerly known as Prince,” partly in a fight with his record company.

The musical beat this year has been darkened by sadness. The world has lost David Bowie, Glenn Frey of the Eagles and recently one of country music’s most authentic voices, Merle Haggard. And now, Prince, and doves cried.