Weekly Arts Round Up, October 22, 2020

Opening soon: a new Addison/Ripley show and half the main floor of the National Gallery’s West Building. Next Thursday, go on a high-def encounter with the Barnes Foundation Matisses.

Chamber Dance to Hold Open Rehearsal, Oct. 21

Grace-Anne Powers and Austin Powers will rehearse a duet, part of a larger work by Christian Denice that will be presented by Chamber Dance Project later this season.

Weekly Arts Round Up, October 15, 2020

The 2020 Smithsonian Food History Weekend and a panel tomorrow on the legacy of John Lewis will take place online. In person, you can visit the Kreeger Museum and, soon, Planet Word.

Dana Tai Soon Burgess: Dancing in the Time of COVID (photos)

The Oct. 9 performance by the Dana Tai Soon Burgess Dance Company, outdoors at the Arts Club of Washington, was noteworthy for being danced in front of a live audience.

Weekly Arts Round Up, October 8, 2020

“Girlhood (It’s Complicated)” opens tomorrow at the National Museum of American History and tickets for the Phillips Collection’s reopening weekend go on sale on Monday.

Weekly Arts Round Up, October 1, 2020

Taste and Shop Georgetown kicks off on Oct. 5. Also coming up in the nabe: the Blessing of the Animals at St. John's and fall classes at Hinckley Pottery.

A Path for Theaters to Open Safely

Olney Theatre Center’s artistic director asks: Is live entertainment going to be the only industry that is not put on a path to safely reopen?

Weekly Arts Round Up, September 24, 2020

Joining the list of reopened Smithsonian museums tomorrow: the National Museum of American History and the National Museum of the American Indian.

Weekly Arts Round Up, September 17, 2020

More Smithsonian museums reopen tomorrow. From the comfort of your couch, stream Japanese films, hear from Helen Hunt and view treasures from sunken cities of ancient Egypt.

Pandemic Forces Performing Arts Leaders to Rethink

The Georgetowner asked leading figures in D.C. theater to suggest silver linings of the pandemic, even as it has stolen the livelihood of countless arts workers and threatened the very future of many performing arts organizations.