Jack Evans’ Birthday
• June 2, 2011

On October 27 Jack Evans invited residents of ward 2 to a birthday party. [gallery ids="99490,99491,99492,99493" nav="thumbs"]

Corcoran Gallery of Art
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NEXT at the Corcoran: BFA Class of 2011
April 23–May 22, 2011

On the footsteps of Corcoran’s progressive and wonderfully fresh “NOW” series, which spotlights contemporary working artists as comprehensively as most museums cover the classics, comes NEXT, an exhibition of the Corcoran College graduating class of 2011. There is sure to be an impressive array of budding artists on display with the bravado and curiosity that students exemplify, like horses chomping at the bit.

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NOW at the Corcoran: Chris Martin
June 18–October 23, 2011

Although abstract, Martin’s paintings are a direct response to the physical world around him. Many of his works integrate objects from his immediate environment into their surfaces, including kitchen utensils, records, photographs, and Persian carpets. The works are as much about daily life—music, travel, and language—as they are about mythology, storytelling, the endurance of symbols, and the role of painting in art history.

Freer | Sackler
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Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan
February 26–July 31, 2011 (Sackler Gallery)

Majestic sixth-century Chinese Buddhist sculpture is combined with 3-D imaging technology in this exploration of one of the most important groups of Buddhist devotional sites in early medieval China. Carved into the mountains of northern China, the Buddhist cave temples of Xiangtangshan (pronounced “shahng-tahng-shahn”) were the crowning cultural achievement of the Northern Qi dynasty (550-77 CE). Once home to a magnificent array of sculptures–monumental Buddhas, divine attendant figures, and crouching monsters framed by floral motifs–the limestone caves were severely damaged in the first half of the twentieth century, when their contents were chiseled away and offered for sale on the international art market. The exhibit re-creates the forms and power of these sacred Eastern sculptures as they were originally constructed.

Ford’s Theater
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“Liberty Smith”
March 23 – May 21
Geoff Packard, who wowed audiences in the title role of “Candide,” takes on another title role with “Liberty Smith,” a new musical by Michael Weiner, Adam Abraham, Marc Madnick, and Eric R Cohen. It’s a tall-tale musical approach to the early founding days of American history with 23 musical numbers.

Bravissimo Society
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Leilane Mehler founded the Bravissimo Society to assist young singers in our region through an awards competition, which will conclude in May of 2011. On Sept. 12, she and her husband Barry hosted supporters for a recital of Zarzuela performed by soprano Serena Canino, baritone Jose Sacin, as well as tenor Aurelio Dominguez and pianist Emily Senturia, who came from Norfolk where they are in rehearsals for Rigoletto. Bravissimo founding member Felipe Rodriguez likened Zarzuela, which originated in Spain, to US musicals in the blending of music and drama.

-Mary Bird [gallery ids="99276,104419,104431,104424,104428" nav="thumbs"]

Hirshhorn Museum and Sculpture Garden
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Blinky Palermo: Retrospective 1964-1977
February 24, 2011- May 15, 2011

Palermo (1943-1977), renowned throughout Europe as an influential postwar painter, has been largely looked over by America. This exhibition is the first comprehensive survey of his work in the United States, reflecting the artist’s progression, follows a loose chronology based on his four main bodies of work.

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Directions: Grazia Toderi
Opens April 21, 2011

Best known for her large-scale installations, Toderi calls her video projections “frescoes of light.” The artist works from documentary imagery collected from urban night surveillance and military, satellite, and space program footage. Over these she superimposes her own photography and cinematography, altering the effect with digital manipulations and unifying the vista with sepia-tone filters. The result feels both familiar and mysterious, as the eye struggles to determine the horizon line and read the origins of fields of glimmering lights. Shown on an endless loop, these mesmerizing nightscapes represent the artist’s ambition to “visualize the infinite.”

The Kreeger Museum
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In Unison: 20 Washington, DC Artists
January 15 – February 26, 2011

The Kreeger initiated this exhibition with DC artist Sam Gilliam, collecting 20 established artists from the local community, all working in different styles and mediums. All artists were invited to come together to create a series of five monoprints each, one of which was selected for the exhibition by Gilliam, Judy A. Greenberg, Director of The Kreeger, Marsha Mateyka of the Marsha Mateyka Gallery and Claudia Rousseau, Ph.D., art critic and art historian. “The ideas of creating a group portfolio and exhibiting together express the ideas of unity and identity that are underlying motives of the project, and which are vital to sustaining a thriving artistic community,” says Rousseau.

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Tom Wesselmann Draws
April 8 – July 30, 2011

American pop artist and collagist Tom Wesselmann (1931-2004) worked feverishly up until the end of his life, creating iconic pop imagery which, almost in contrast to the ironic and dismissive nature of the movement, spoke powerfully toward the history and influences of fine art. The exhibition at the Kreeger, which covers drawings from Wesselmann’s entire career, spanning 1959-2004, is the most comprehensive exhibition of drawings by the artist that has ever been assembled. Many of the 108 works have never been seen outside the artist’s studio in New York. [gallery ids="99608,105051" nav="thumbs"]

The Phillips Collection
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90 Years of New – 90th Anniversary

Since it first opened its doors in 1921, The Phillips Collection has been revered as a pioneer in contemporary art; it was America’s first museum of modern art, and it has remained a relevant and progressive hub for contemporary fine art throughout its life. The 90th Birthday Celebration, which will stretch into the rest of the year, will feature focuses on a variety of installations, old and new, including an especially created new work by Sam Gilliam, who had his first solo show here in 1967. Firsts, and the re-emergence of classic works purchased by the Phillips will be one of the themes throughout the year.

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Kandinsky and the Harmony of Silence: Painting with White Border
June 11–September 4, 2011

After a visit to his native Moscow in 1912, Vasily Kandinsky (1866–1944) sought to find a way to record the “extremely powerful impressions” that lingered in his memory. Working tirelessly through numerous drawings, watercolors, and oil studies over a five-month period, Kandinsky eventually arrived at his 1913 masterpiece, Painting with White Border. The exhibition will reunite this painting with over 12 preparatory studies from international collections, including the Phillips’s oil sketch, and compare it with other closely related works. Complemented by an in-depth conservation study of Painting with White Border, the exhibition will provide viewers with a rare glimpse into Kandinsky’s creative process.

National Gallery of Art
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Gauguin: Maker of Myth
February 27–June 5, 2011

Gauguin (1848–1903) was one of the most traveled artists in history, and it showed up in his work. His colorful images of Brittany and the islands of the South Seas are some of the most striking, distinct works of the last 200 years. His travels will be on display in nearly 120 works by Gauguin in the first major look at the artist’s oeuvre in the United States since the NGA’s retrospective of the artist in 1988–1989. The exhibition, organized by Tate Modern, London, brings together an eclectic breadth of self-portraits, genre pictures, still lifes, and landscapes from throughout the artist’s career. It includes not only oil paintings but also pastels, prints, drawings, sculpture, and decorated functional objects.

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Venice: Canaletto and His Rivals
February 20–May 30, 2011

Venice inspired a school of competitive painters, who focused on the land, sea and cityscapes of the Bride of the Sea, resulting in a remarkable achievement in 18th-century art. This exhibition celebrates the rich variety of these Venetian views, known as vedute, through some 20 masterworks by Canaletto and more than 30 by his rivals. The painters depicted the famous monuments and vistas of Venice in different moods and seasons.

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In the Tower: Nam June Paik
March 13 – October 2

Paik (1932–2006) is a towering figure in contemporary art. Born in Korea and trained in Japan and Germany in aesthetics and music, Paik settled in New York in 1964 and quickly became a pioneer in the integration of art with technology and performance. Considered by many to be the first video artist, this exhibition features a selection from Paik’s estate as well as from the Gallery’s own collection. The centerpiece is One Candle, Candle Projection (1988–2000), one of the artist’s simplest, most dynamic works. Each morning a candle is lit and a video camera follows its progress, casting its flickering, magnified, processed image onto the walls in myriad projections.

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Gabriel Metsu 1629–1667
April 17–July 24, 2011

One of the most important Dutch genre painters of the mid-17th century, Gabriel Metsu (1629–1667) could capture ordinary moments of life with freshness and spontaneity. Although his career was relatively short, Metsu enjoyed great success as a genre painter, but also for his religious scenes, still lifes, and portraits. The show will feature some 35 paintings by the artist. [gallery ids="99609,105052" nav="thumbs"]

The Battle of the City Budget
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They argued about it some and they fussed about it some, but in the end the much anticipated city council debate over Mayor Vincent Gray’s controversial proposal to raise the DC income tax on earners over $200,000 didn’t really have much of a chance.

Ward 2 City Councilman Jack Evans had said as much a couple of weeks ago, when he described the proposal as “dead” and “not going to happen,” along with several other parts of the mayor’s budget proposal that attempted to bridge an estimated $300 million budget gap for the Fiscal Budget 2011-2012.

While some new tax proposals were part of the 2011-2012 budgets recently, given a preliminary approval by the city council, the income tax raise 0.4 percentage increase (which was expected to raise an additional $18.7 million) did not survive the vote.

With Council Chairman Kwame Brown opposed to the measure along with most of the rest of the council, the council approved the budget minus the income tax raise. Still, several council members—at large councilmen Phil Mendelson and Michael Brown among them—noted that it seemed unfair that a resident making $40,000 was taxed at the same rate as someone making over $200,000. Evans, who voted against the increase, agreed that the council should address the imbalance of the individual rates at some future date.

The council also dropped the mayor’s proposal to initiate a tax on theater tickets, which was heavily lobbied against by local performance arts groups, including the Helen Hayes Awards.

While some of the debate became a little intense, there seemed to be less of a sense of urgency on the budget and its shortfall, with much talk of expected additional revenues that were not specifically identified.

Additional taxes—instead of the income tax increase—were expected to restore funds for homeless shelters, affordable houses and other social services, which had been scheduled for big hits under Mayor Gray’s budget proposals. The vote hearing was heavily attended by housing and homeless advocated and activists from all over the city.

Chairman Brown appeared to be a key figure in the debates. Not only did he vote against the income tax hike and the theater tax hike, but proposed other tax measures to offset the cuts, including a complicated, obscure but very real plan to tax non-D.C. municipal bond. Those are bonds for other jurisdictions held as income by DC residents, including seniors living on fixed incomes. The proposals appeared confusing to many in attendance, and its passage remains in doubt.

A proposal to tax drivers using parking garages appears to remain in the budget, on which the council will hold a final vote

Noticeable in the running commentary on individual issues during the morning discussion of the debate was the profuse praise for Chairman Brown, who has been seen by many observers in the city as being in a weakened leadership position. Agree or disagree, almost every council member praised Brown for his work and effort on the budget and working with the council as a whole and individual members.

Some of the social programs for which funds were found were in Ward 2, which Evans represents. “I worked closely with the Washington Interfaith Network, and fought hard for preservation of the Housing Protection Trust Fund, the Community Benefits Fund and the Neighborhood Investment Fund, “ Evans said. “I am grateful to my Council colleagues for recognizing their importance to my Ward and the city.”

The budget at $11 billion plus, is the largest in the city’s history.

Michael Brown, Councilman at large, said, “I understand the need to balance the budget. But I still feel that when there is considerable pain felt throughout the city because of the economy and the deficit, then it should be shared equally. And the tax rates are not shared equally. It just doesn’t seem right that someone, say, who makes $400,000, should only pay the same rate as someone making $40,000.”

Several council members questioned the bond taxes. Ward One Councilman Jim Graham, who advocated strongly for not cutting programs for “those who have the least,” including the homeless, said that such legislation was passed in other years but never implemented, “So I don’t see any point in doing it again.”

Phil Mendelson also questioned the feasibility of implementing such a tax. “Where’s the infrastructure to do that?” he said. “However, I’m glad we chose to defend and support critical services for the homeless and those in need.” Evans also questioned the tax on the interest on municipal bonds.