Arts
Social Scene: Your Guide to the 2025 White House Correspondents’ Dinner Weekend
Bravissimo Society
• June 2, 2011
Leilane Mehler founded the Bravissimo Society to assist young singers in our region through an awards competition, which will conclude in May of 2011. On Sept. 12, she and her husband Barry hosted supporters for a recital of Zarzuela performed by soprano Serena Canino, baritone Jose Sacin, as well as tenor Aurelio Dominguez and pianist Emily Senturia, who came from Norfolk where they are in rehearsals for Rigoletto. Bravissimo founding member Felipe Rodriguez likened Zarzuela, which originated in Spain, to US musicals in the blending of music and drama.
-Mary Bird [gallery ids="99276,104419,104431,104424,104428" nav="thumbs"]
Corcoran Gallery of Art
•
NEXT at the Corcoran: BFA Class of 2011
April 23–May 22, 2011
On the footsteps of Corcoran’s progressive and wonderfully fresh “NOW” series, which spotlights contemporary working artists as comprehensively as most museums cover the classics, comes NEXT, an exhibition of the Corcoran College graduating class of 2011. There is sure to be an impressive array of budding artists on display with the bravado and curiosity that students exemplify, like horses chomping at the bit.
____
NOW at the Corcoran: Chris Martin
June 18–October 23, 2011
Although abstract, Martin’s paintings are a direct response to the physical world around him. Many of his works integrate objects from his immediate environment into their surfaces, including kitchen utensils, records, photographs, and Persian carpets. The works are as much about daily life—music, travel, and language—as they are about mythology, storytelling, the endurance of symbols, and the role of painting in art history.
Freer | Sackler
•
Echoes of the Past: The Buddhist Cave Temples of Xiangtangshan
February 26–July 31, 2011 (Sackler Gallery)
Majestic sixth-century Chinese Buddhist sculpture is combined with 3-D imaging technology in this exploration of one of the most important groups of Buddhist devotional sites in early medieval China. Carved into the mountains of northern China, the Buddhist cave temples of Xiangtangshan (pronounced “shahng-tahng-shahn”) were the crowning cultural achievement of the Northern Qi dynasty (550-77 CE). Once home to a magnificent array of sculptures–monumental Buddhas, divine attendant figures, and crouching monsters framed by floral motifs–the limestone caves were severely damaged in the first half of the twentieth century, when their contents were chiseled away and offered for sale on the international art market. The exhibit re-creates the forms and power of these sacred Eastern sculptures as they were originally constructed.
Hirshhorn Museum and Sculpture Garden
•
Blinky Palermo: Retrospective 1964-1977
February 24, 2011- May 15, 2011
Palermo (1943-1977), renowned throughout Europe as an influential postwar painter, has been largely looked over by America. This exhibition is the first comprehensive survey of his work in the United States, reflecting the artist’s progression, follows a loose chronology based on his four main bodies of work.
____
Directions: Grazia Toderi
Opens April 21, 2011
Best known for her large-scale installations, Toderi calls her video projections “frescoes of light.” The artist works from documentary imagery collected from urban night surveillance and military, satellite, and space program footage. Over these she superimposes her own photography and cinematography, altering the effect with digital manipulations and unifying the vista with sepia-tone filters. The result feels both familiar and mysterious, as the eye struggles to determine the horizon line and read the origins of fields of glimmering lights. Shown on an endless loop, these mesmerizing nightscapes represent the artist’s ambition to “visualize the infinite.”
Gallerist on the Go
•
Siobhan Gavagan is a rising D.C. gallerist and formerly worked for Margery Goldberg. She is now with Susan Calloway at her elegant Georgetown space on Wisconsin Avenue. Siobhan’s energy, smarts, and charm make her a standout in the gallery scene.
What got you into the art business?
My family has always been involved in the arts. My father went to NYU for film and photography
and has a great love for the arts, so we would always go to museums, foreign films, and the theatre growing up. I’m very fortunate to be working in the field that I studied in college as most people get art degrees and end up not doing anything related to art.
Do you hang out with an “art crowd?”
Not really, I have a couple of friends that are painters and musicians, but D.C. is such a political
city, most of my friends work on the Hill or for NGOs. The art scene in D.C. is coming around and getting the younger crowd more involved, but it has a way to go.
What’s your favorite D.C. museum?
The National Portrait Gallery. I’m a big history buff so looking at all of the old portraits of great leaders is really exciting for me.
You’ve lived in a group house, what’s the inside scoop?
It was wild! I lived with nine roommates in Le Droit Park. It was like The Real World, but better.
I found the house on Craigslist and went in not knowing anyone. I’ve made some amazing friends from that experience. We had friends that lived in other group houses so our group would always grow with new people moving in and out. There was a Fourth of July party that we threw that will go down in history!
How was it working for the legendary Margery Goldberg?
Margery is great. I started off interning at Zenith and eventually took on the role as gallery manager. The openings were always fun at Zenith and Margery knows how to throw a party and get other people excited about art.
What’s your commission on selling a picture?
The most I’ve made from a commission was around $600. It’s a great incentive to really go after a sale.
Who ever gets your first name spelled right?
I think my Mom and Dad are the only ones who get it right. I still have family who misspell my name on birthday and Christmas cards! I was always the kid in class who would sink down in their chair when the teacher was calling roll, Sio-Bahn Gava-Gon — they never could pronounce
it right.
What about your own art, is it suffering or gaining by working in a gallery?
Sometimes I can get inspired from all of the beautiful work that surrounds me in the gallery, but other times it does get a bit draining.
What’s your day-to-day routine at Susan’s gallery?
My morning usually involves entering new sales into QuickBooks and updating the inventory. The gallery does custom framing so that takes up a great deal of time. Another big part of my day includes updating our website.
What’s your tip for a first time buyer?
Do some research on the artist. Also learn about their technique and read their resume. It’s an investment, so make sure you really love the piece. There is art out there for everyone and you don’t have to splurge on something expensive.
The Kreeger Museum
•
In Unison: 20 Washington, DC Artists
January 15 – February 26, 2011
The Kreeger initiated this exhibition with DC artist Sam Gilliam, collecting 20 established artists from the local community, all working in different styles and mediums. All artists were invited to come together to create a series of five monoprints each, one of which was selected for the exhibition by Gilliam, Judy A. Greenberg, Director of The Kreeger, Marsha Mateyka of the Marsha Mateyka Gallery and Claudia Rousseau, Ph.D., art critic and art historian. “The ideas of creating a group portfolio and exhibiting together express the ideas of unity and identity that are underlying motives of the project, and which are vital to sustaining a thriving artistic community,” says Rousseau.
____
Tom Wesselmann Draws
April 8 – July 30, 2011
American pop artist and collagist Tom Wesselmann (1931-2004) worked feverishly up until the end of his life, creating iconic pop imagery which, almost in contrast to the ironic and dismissive nature of the movement, spoke powerfully toward the history and influences of fine art. The exhibition at the Kreeger, which covers drawings from Wesselmann’s entire career, spanning 1959-2004, is the most comprehensive exhibition of drawings by the artist that has ever been assembled. Many of the 108 works have never been seen outside the artist’s studio in New York. [gallery ids="99608,105051" nav="thumbs"]
The Washington Ballet Presents Carmen at the Harman
•
May 19 was opening night of the Ballet’s season finale. The program began with David Palmer’s Passing Through followed by a musical interlude performed by Youth Orchestra of the Americas. Edwaard Liang’s As Above, So Below concluded Act I. Following intermission, Carmen was beautifully interpreted by lead dancers Sona Kharatian, Luis R. Torres, Maki Onuki and Jared Nelson. At a post-performance reception, Board Chair Sylvia de Leon hailed “the year that was” as the Ballet grew to a new level. Incoming Executive Director Peter Branch was welcomed and glasses were raised to his predecessor Russell Allen. [gallery ids="99842,99843,99844,99845,99846,99847,99848" nav="thumbs"]
Ford’s Theater
•
“Liberty Smith”
March 23 – May 21
Geoff Packard, who wowed audiences in the title role of “Candide,” takes on another title role with “Liberty Smith,” a new musical by Michael Weiner, Adam Abraham, Marc Madnick, and Eric R Cohen. It’s a tall-tale musical approach to the early founding days of American history with 23 musical numbers.
The Phillips Collection
•
90 Years of New – 90th Anniversary
Since it first opened its doors in 1921, The Phillips Collection has been revered as a pioneer in contemporary art; it was America’s first museum of modern art, and it has remained a relevant and progressive hub for contemporary fine art throughout its life. The 90th Birthday Celebration, which will stretch into the rest of the year, will feature focuses on a variety of installations, old and new, including an especially created new work by Sam Gilliam, who had his first solo show here in 1967. Firsts, and the re-emergence of classic works purchased by the Phillips will be one of the themes throughout the year.
____
Kandinsky and the Harmony of Silence: Painting with White Border
June 11–September 4, 2011
After a visit to his native Moscow in 1912, Vasily Kandinsky (1866–1944) sought to find a way to record the “extremely powerful impressions” that lingered in his memory. Working tirelessly through numerous drawings, watercolors, and oil studies over a five-month period, Kandinsky eventually arrived at his 1913 masterpiece, Painting with White Border. The exhibition will reunite this painting with over 12 preparatory studies from international collections, including the Phillips’s oil sketch, and compare it with other closely related works. Complemented by an in-depth conservation study of Painting with White Border, the exhibition will provide viewers with a rare glimpse into Kandinsky’s creative process.
Holiday Cheer
•
-The Christmas holidays are upon us and its not even Thanksgiving yet. Everywhere you look — in malls, in television ads, in the streets and storefront windows — ‘tis the season.
That’s especially true for the performing arts, where seasonal favorites of all sorts are being prepared, sugar plum fairies being outfitted, little boys everywhere practicing how to say “God bless us, every one,” venues large and small brightening up their stages and halls with traditional holiday fare searching for a new and all-inclusive way to celebrate the season for their patrons.
Christmas is about pleasing the most people, it’s about sharing in the spirit of the season, and so old stories are resurrected in old and new ways. Music as familiar as a hometown is heard again, the atmosphere and environment become rich and thick with iconic elements, from Scrooge’s nightshirt and the ghosts that haunt him to stars to wrapped packages under a tree to the full-lunged glories of symphonic music and the quieter joys of quieter carols.
We’re offering a sampler of what’s in store in the way of Christmas in the performing arts around the Washington area, and we’ll take a close look at how two institutions are approaching something old and something new, one making a traditional holiday offering new again as an institution, the other attempting to create a new tradition.
An Old Story and a New Scrooge
There is probably no story that says Christmas more loudly, more intensely and with more familiarity than Charles Dickens’ “A Christmas Carol.” Scrooge, Marley, Tiny Tim, the ghosts of Christmas past, present and future have become such a staple of American film, television, and theater that it’s hard to imagine Christmas without it.
Right now, productions are being prepared all over the country and a new digitally created movie starring a facsimile Jim Carrey as Scrooge has already hit theaters.
Meanwhile, the folks at Ford’s Theatre are busy finishing rehearsals for its own production. With some interruptions, “A Christmas Carol” at Ford’s Theatre is as much a Washington seasonal tradition as the lighting of the National Christmas Tree. As a result, the show has been seen by critics as something of a sentimental chestnut. Audiences, tourists and locals alike flock to it.
This year, it’s a brand new show. “We’ve added lots of music to the show, Christmas music and carols,” new director Michael Baron said. “That’s going to be a crucial element of the show. They say Dickens practically invented Christmas, so we added a true magical, seasonal element with the music. There’s a real flavor and sense of period and place to.”
“The odd thing,” Baron, who directed Signature Theatre’s cabaret series, said, “is that in England they don’t do the show. They do pantomimes and such.”
This production has something else that’s bound to make it fresh. That’s the presence of Edward Gero, one of Washington’s most honored, down-to-earth, natural actors taking on the part of Scrooge. Gero, who’s played everyone from Nixon to Bolingbroke to haunted, drunken contemporary Irishmen, knows that there’s not just the ghost of Christmas past here, but the ghosts of Scrooges past too.
“Oh God yes,” he said. “That dark, really scary Alistair Sims, George C. Scott, Albert Finney, Patrick Stewart, and, yeah, Mr. Magoo. That’s a long line, not to mention the people who’ve done it here. It’s a challenge, but you know, performing here at the Ford’s Theatre has always been on my bucket list, and I suppose, yeah, doing Scrooge.”
It’s hard to imagine Gero as Scrooge, or as anyone. He is the least chameleonlike of actors, a regular guy, blunt, funny, of Italian heritage, almost a working man’s actor. His wife is a district elementary school teacher, and while he teaches at George Mason University and does narrations and voice overs and some television, he is the essential great community actor who’s performed with almost all of the theaters in Washington.
“It’s a ghost story, it’s the Christmas story,” he said.”I’m looking forward to being Scrooge, he’s a haunted man long before the Marley and the ghosts come, haunted by his childhood, haunted by the past.”
“A Christmas Carol” begins Nov. 23.
Out of the darkness, into the light
If Scrooge rewards and reassures audiences with traditional material made rich again, “Take Joy!” the big Christmas show at the Music Center at Strathmore, takes a radical new approach to seasonal entertainment.
“It’s different, it’s spectacular, we’ve tried to present something that will be special to people who are living regular lives today, right here and now,” Eliot Pfanstiel, president and CEO of Strathmore and executive producer for “Take Joy!” said. “It begins almost as soon as you walk toward the center, over the bridge, with the sights and sounds of all sorts of music, carolers, people dressed for the season.”
“It’s the solstice, the darkest night of the year,” Pfanstiel said. “It’s a journey from the darkness into the light, a journey taken by a group of people, family and a shepherd in search of a pageant.”
At play is the poetry of Dylan Thomas and Emily Dickinson, traditional Christmas music, gospel music, hip-hop, classical, folk and Celtic. “Call it a new kind of holiday show, wholly original, transforming and transporting. It’s not any one thing, just as the holidays don’t mean one thing for everybody. It’s about a community gathering together on the darkest night of the year and coming out into the light at evenings end.”
Pfanstiehl, sometimes the perfect example of CEO as inventive boy, nurtured this project with Director Jerry Whiddon, Composer Roger Ames and Producer Jeff Davis. They all worked together at Street 70 in the 1970s, a homegrown theater which evolved into the Roundhouse Theater.
“Take Joy!” which includes the wondrous F. Faye Butler, Jennifer Timberlake and Robert Quay in the cast, will be performed Dec. 18 and 19.
Nutcracker, Nutcracker, Nutcracker
If you look long enough during the holidays, you’re going to find a Nutcracker. Here’s three for everyone.
For the Washington Ballet, no less a personage than George Washington is featured in Septime Webre’s beautiful, lush imagining of “The Nutcracker,” with Washington in full uniform taking on the role of the heroic Nutcracker and King George III donning the role of the Rat King. It’s a Washington tradition that’s presented at the THEARC Dec.3-5 and at the Warner Theatre Dec. 10-27.
At the Kennedy Center, the Pennsylvania Ballet comes to town for seven performances of George Balanchine’s “The Nutcracker” Nov. 24-29.
What’s special about this production is that it marks the D.C. premiere of the Balanchine version, which the Pennsylvania Ballet has performed since 1969. It’s a spectacular production with 192 costumes designed by Judanna Lynn and new sets by Peter Horne. The Kennedy Center Opera House Orchestra will accompany the production, which will feature the Norwood Middle School Chorus.
Meanwhile, the Puppet Company at Glen Echo Park will present its puppet version of “The Nutcracker” through the holiday season.
Christmas at the National Gallery
The National Gallery of Art will have caroling in the west building rotunda with families and visitors singing along with guest choirs and ensembles Dec. 12, 13, 19 and 20. In addition, there will be holiday concerts on Sundays in the west garden court of the west building Dec. 13, 20 and Jan. 3.
Music, music and other occasions
Washington Revels presents its annual Christmas Revels December 12 and 13 at Lisner Auditorium, featuring Renaissance Italy, Leonardo Da Vinci and celebrating Italian holiday traditions with music and dance.
The Dumbarton Concerts in Georgetown present one of the most alluring, beautiful holiday concerts in town with its annual “A Celtic Christmas” with the Linn Barnes and the Allison Hampton Celtic Consort
It’s at Georgetown’s historic Dumbarton Church December 5, 6 and Dec. 12 and 13.
The Folger Consort will be celebrating the Christmas holidays in the Elizabethan Theatre at the Folger Shakespeare Library Dec. 11-20 with “In Dulci Jubilo,” a concert of the festive Christmas music of 17th-century composer Michael Praetorius, considered to be the man responsible for creating the German Lutheran chorale tradition.
The 21st Annual Christmas Concert for Charity at the Basilica of the National Shrine of the Immaculate Conception will be performed on Dec. 4, featuring the Catholic University Chorus and Symphony Orchestra and other artists.
Discovery Theater will present its seasonal extravaganza “Seasons of Light,” celebrating the holiday traditions of Sankta Lucia, Hanukkah, Kwanzaa, Christmas and Ramadan in December.
Baltimore Symphony Orchestra Conductor Marin Alsop brings a very different version of Handel’s “Messiah” with a re-envisioned gospel version “Too Hot to Handel: The Gospel Messiah” at the Music Center at Strathmore Dec. 13.
At the Kennedy Center, there’s the NSO Pops with “Happy Holidays,” conducted by Marvin Hamlisch Dec. 10-13 and the National Symphony Orchestra performing the “real” Handel’s Messiah Dec. 17-20.
The Waverly Consort brings its performance of “The Christmas Story” to the Terrace Theater with its eight singers and five instrumentalists Dec. 16.
There’s also free stuff: the Millennium Stage at the Kennedy Center will include performances by the U.S. Army Blues performing Duke Ellington and Billy Strayhorn’s “Nutcracker Suite” on Dec. 1, a “Merry TubaChristmas” on Dec. 13, holiday vaudeville on Dec. 26-27 and an all-star Christmas Day jazz jam.
Plus there’s the annual “Messiah Sing-Along” performed since 1972 in the Concert Hall.
Finally, there’s the annual holiday doings at Union Station, featuring all things Norwegian, including a tree-lighting ceremony of a 32-foot Christmas tree on Dec. 3 and Toys for Tots and a model train ceremony Nov. 24.
