Let’s face it. The 1957 musical, “The Music Man,” by Meredith Willson is a chestnut — something of a war horse, an Americana salute to a...
PostClassical Ensemble presented “Cultural Fusion: The Gamelan Experience” at Washington National Cathedral on Jan. 23.
Were you born in 1947, 1959, 1971, 1983 or 1995? Then the Year of the Pig is your year! The Chinatown parade is this Sunday.
If you look at the data enmeshed in the announcement of the 2019 nominees, you get a pretty good sense of our local theater community — how it’s changed, its growth, its pulsating diversity and to some extent its uniqueness.
Directed by Sheldon Epps and running through Feb. 17, the production has added another layer to the proceedings. Six members of the cast are African American.
“Gordon Parks: The New Tide, Early Works 1940-1950,” on view through Feb. 18, offers direct vantage into an era when the government sponsored art projects on a national scale.
Co-owners Rebecca Cross and her husband, photographer Maxwell MacKenzie, are relocating the gallery to their new home in Hillsboro, Virginia.
If Baker was one of the more prominent losses suffered by the rest of us this month, it was not as if death was taking a holiday. All kinds of people and some noted animals died.
This weekend at the Kennedy Center, American Ballet Theatre is in town to perform “Harlequinade.” Friday is International Gruit Day, Saturday is Groundhog Day and you know what Sunday is.
The just-ended production of “From U Street to the Cotton Club” at the Source Theatre marks the middle of the In Series’ first season...