Food

Walter Nicholls • November 3, 2011

Thanks to the Royal Thai Embassy, I’ve reawakened a lost appreciation for canned tuna — one of Thailand’s principal exports. But tuna didn’t take me to Thailand. A few months back, as a food journalist and guest of the government, I traveled to Bangkok and points south and saw for myself what a terrific job the Thais have done in the eco-friendly conservation of natural resources and the revitalization of mangrove forests that in years past had been devastated by fish farming. I found the tuna salad of my dreams, and far more, at Bangkok’s legendary Mandarin Oriental hotel.

As it turns out, every day at 6 p.m. staff members of the Mandarin deliver a small cocktail amenity to the hotel’s orchid-filled guest rooms, placing the nibble beside the daily tropical fruit display. One evening, this dressing drink hors d’oeuvre may be a pretty coddled egg or, perhaps, a rich duck liver pate. Another day, think sushi. To ensure that the rotating roster of 15 cocktail amenities is up to MO’s exacting standards, every four months Executive Chef Norbert Kostner gathers together his staff for a testing and tasting workshop. And that’s where hotel Chef Enrico Froehnel introduced the group to his unexpected Thai tuna salad.

One afternoon at poolside, Chef Kostner explained that “We needed something different and here we have a perfect fusion of American and Thai with refreshing flavors that explode in the mouth and then bring harmony.” Granted, there is lots of chopping involved. But Froehnel’s exceptional seafood spread, loaded with taste sensations of kaffir lime and lemon grass, is worth the effort. To start: grab a can of good tuna.

Thai Tuna Salad

Makes 1 1/2 cups

2 teaspoons finely chopped lemongrass (use only inner core)
2 teaspoons grated galangal
1 teaspoon finely chopped kaffir lime leaves
1 1/2 tablespoons finely chopped white onion
2 1/2 tablespoons diced sweet peppers (thin-skinned varieties are best)
1 teaspoon finely chopped cilantro
2 teaspoons finely chopped spring onions (green part only)
5 tablespoons mayonnaise
1 1/2 teaspoons lime juice
A few drops hot sauce, such as Tabasco
A few drops Worcestershire sauce
1 pinch freshly ground pepper
1 pinch salt
1 teaspoon maple syrup
1 six-ounce can tuna, drained and finely shredded

Combine all ingredients, except the shredded tuna, in a large kitchen bowl and mix until well blended. Add the shredded tuna and mix again.

For best flavor, cover and refrigerate for two hours.

Serve with melba toasts, rice crackers, or sliced baguette.

(Kaffir lime leaves and galangal — a ginger relative — are available at Asian markets.)

Jordan Wright •

At long last, after two and a half months of anticipation, several blizzards and a flurry of back and forth emails, I was armed with the event’s protocol. It consisted of guest photo op restrictions and apparel parameters from the hosts of a local super-secret dining club. Five couples had agreed to let me cover one of their monthly themed dinners.

The hosts: Anonymous members of a private supper club.
The location: Somewhere in metropolitan Washington on a hilltop.
The plan: A Japanese Harajuku evening with six courses and countless complex accompaniments.
The inspiration: Recipes sourced from New York’s Momofuku and Chicago’s Alinea restaurants.
The guest list: Serious foodies, gourmands, amateur chefs and wine connoisseurs.
The required dress: Creative outfits from the Harajuku movement.

On the appointed day I rushed to Google it up — isn’t that how we inform ourselves these days? I learned that Harajuku, which loosely translated means Halloween, originated with Japanese teens meeting up on Sunday afternoons in their neighborhood parks where they sport clothing and makeup inspired by specific themes. It begins with the over-the-top Lolita look, replete with baby doll dresses and large bows or barrettes clipped into brightly dyed pink, blue or purple pigtails, Japanese anime character look-alikes, period Victorian garb and colorful punk gear with Goth-inspired hair and makeup. Matchy-matchy is very uncool, and plaids are routinely mixed with stripes and floral patterns.

“Hello Kitty” and “Pokemon” purses and lunch boxes are favored accessories, as are carrying or wearing small “Totoro” stuffed animals or creatures from Japanese animator Takashi Murakami’s line of plush toys. Some styles are straight from high-end designer ateliers, but for the most part it is cobbled together from mismatched thrift shop or boutique finds. It sounds totally anti-fashion, but is actually spectacularly artistic in a bizarre and inventive way. Many current high-fashion runway looks have evolved from this genre.

I hastily pulled together a shocking pink Japanese brocade frock coat over a cream-colored Victorian lace blouse with jabot and paired it all with plaid knee socks over black leggings and a black schoolgirl’s kilt. I left the stuffed dinosaur at home, skipped the Kabuki makeup for a smear of lip gloss, and topped it all off with an assortment of rhinestone hair clips. I felt completely off-kilter but ready to channel my inner Japanese teen.

I arrived at a large restored colonial with a hawk’s eye view of the city where my hosts, their children and an on-duty Papillon greeted me enthusiastically. I planned on coming early to take some food photos and offer assistance to the host, but the preparations were well underway. My host and chef for the evening handed me a welcoming cocktail, an infusion of Asian pears with sho-chu vodka, and invited me on a tour.

The 19th-century high-ceilinged home had two kitchens and a butler’s pantry with 10-foot-high shelves filled with all manner of exotic spices, condiments and a working kitchen’s necessaries. The upstairs kitchen, large and rustic, had a wall of well-used copper pots, another featured a large contemporary oil painting. On the lower level another workspace housed state-of-the-art equipment befitting the molecular gastronomy necessary to achieve our much-anticipated dinner.

There was a Pacojet puree machine, an Excalibur food dehydrator, a Minipack Torre vacuum chamber sealer for shrink-wrapping, and a PolyScience sous vide circulating bath for cooking or chilling. Freezer drawers held silicone molds filled with spherical frozen mousse. It immediately became clear that this was more than just a passing interest for my host, and the “Iron Chef”-style excitement ratcheted up a few more notches.

As guests filtered in and out of the bustling kitchen and drawing room and the conversation turned lively, the children, clad in their own versions of the “look,” wandered off to wherever it is that children go when they are bored with adult conversation. After a few rounds of champagne, we gathered at the long dining table where food and wine began to consume the conversation and we, in turn, them.

The first course presented was a frozen sphere of Maytag blue cheese ice cream surrounded by walnuts in grape syrup, a Port wine gelee, grape foam, walnut milk, celery and celery salt made from stalks dried in the dehydrator — a sort of mad scientist’s Waldorf salad and our host’s nod to Chef Grant Achatz of Alinea Restaurant. It was an inspired, playful and delicious adventure and I ate my way in circles around the plate repeating the yin-yang flavors by turns.

A subsequent course proved to be a sensuous dish of riesling gelee over lychee nuts with pine nut brittle and shaved frozen fois gras — a tribute to Momofuku and the genius of Chef David Chang. The mouth feel of this combination was luxurious: the tiny wriggly cubes of late harvest Riesling jelly, tender globular floral-fragrant lychees, crunchy pine nuts with their sap-like aroma encased in hardened caramel and buttery-smooth Hudson Valley duck foie gras raining down over the whole. I was pleased this evening was a secret, for I had no impetus to reveal its mysteries to outsiders just yet.

Irresistible slabs of crispy pork belly glistened, and in yet another triumph borrowed from Chang, Bo Ssam, a 10-pound braised pork shoulder, its skin rendered bronze and lacquered with ssam. Platters of just-shucked oysters appeared alongside such sauces and condiments as kimchi, chiles, fermented bean curd, pickled mustard seed sauce, scallion and ginger compote, pickled vegetables and fish sauce.

The wines for the evening were carefully selected and exquisite. A Carlisle zinfandel from the Russian River Valley, a double magnum of Poizin Reserve in the skull and crossbones-etched bottle from Armida Winery in Sonoma’s Dry Creek Valley, a fine 2007 Sea Smoke pinot noir from Santa Barbara County and an extraordinary 2007 Saxum from James Berry Vineyard Proprietary Blend (100 points from Robert Parker!). A wine of such splendor and amplitude begged silent contemplation of its marvels, every sip bespeaking its provenance and development. As my imagination concocted its journey, I envisioned its beautiful grapes slowly ripening on the vine and the experienced decisions of its vintner shepherding its path from birth passage to aging process.

With deep regret I had to take my leave for a prior engagement before dessert was served, so I will never know the ending to this evening’s meal. But in a way, like all great meals and all great wines, we stand at the precipice, lured by the siren’s song and the promise to our most fragile selves to relive that evanescent moment when all the gastronomic stars align.

To start your own private supper club:
There are widely varying degrees of group size and culinary skill levels in each supper club. To start your own, you just need to round up friends of like mind for a once-a-month evening, decide on a theme (My hosts’ club did a multi-course fennel dinner the previous month, with fennel cake and fennel ice cream for dessert!) then decide if it’s “pot luck” or if the host couple will prepare the entire meal. Guests can bring wines but need to consult the host as to the proper pairing.

Themes:
The fun is in the planning and using your imagination. Single ingredients, ethnic cuisine or holidays can drive the theme of your gathering. I recall once coming upon a group of 20 or so Ukrainians picnicking in Fort Hunt Park last summer. Their party was more of a “pot luck” since each guest brought a dish, but it was marvelous in its variety of homemade pickled cucumbers and mushrooms, potted meats, borscht, a grill laden with skewered lamb shashliks, salads, homemade breads and cakes and, of course, large bowls of fresh cherries. The clear liquid of choice to wash it all down was most decidedly not branch water.

For questions or comments on this story contact jordan@whiskandquill.com. And if you decide to host your own supper club, let me know how it turned out. Better yet, I’d be delighted to help!
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Jordan Wright •

Swiss born and raised, Joêl Thévoz hit Washington in the mid-’80s with a business degree and a briefcase full of fresh ideas. Coming off la vida loca in Costa Rica and Mexico, where his on-the-fly dinners were highly praised by friends and neighbors, he had decided to settle down to a serious culinary career.

With his wife and partner, Nancy Goodman, they launched Main Event Caterers in 1995 on K Street in Georgetown. Ten years later they were to bring their ever-expanding operations into Arlington, VA, where their stunning cuisine and lavish events garner rave reviews and an ever-increasing upscale clientele.

They ran their company like every other top-tier caterer until three years ago. Motivated by Al Gore’s groundbreaking film, “An Inconvenient Truth,” they had an epiphany and took their successful company to higher level — one with a conscience — where green is the new black. It would hail a new dynamic for Main Event Catering and reflect their growing ecological awareness.

Now in the vanguard of a new aesthetic where style meets substance, this sophisticated caterer is a leader in the green revolution, as they continue to be recognized with a growing list of local and national green business awards that reflect their commitment and the caliber of their cuisine. To add to their accomplishments, this year they won the coveted “Caterer of the Year” award from industry giant Catering Magazine.

I spoke with the passionately eco-knowledgeable Thévoz and toured the 20,000 square-foot facility with its gleaming stainless steel demonstration kitchen-in-the-round, 25-foot floor-to-ceiling wine wall and extensive culinary library, featuring a precious archive of leather-bound Gourmet magazines dating from 1946.

How long have you been on the green bandwagon?

We started out being aware of our impact in this world about three years ago. The green movement was just getting started here and, for us, that set the pitchfork in the ground in terms of thinking about what we do and how we do it.

There was one very impactful moment for us. It was a day when we were winding up after an event that used disposables. And at the time I was very proud of using the best quality plastics. I took a look at our truckload worth of waste and plastic garbage from this one event and I was literally sick to my stomach. I thought this stuff is going to last forever. What can we do better?

What did you do to change your company’s way of doing business?

That moment set the tone for a period of discovery. We wondered, “Can we find products that are biodegradable?” It was right about the time when cups made from cornstarch by-product became available. I had seen them used in an airport in England and brought some back with me.

But it was a real challenge to find these things in the U.S. We started digging around and discovered they were making plates from dead palm fronds in India. They are sandwich-pressed using steam into these flat shapes with a bit of curvature to make a plate. Then they are hand-scissored to size.

Finally, we could eliminate all plastics from our catered service, and now we only use biodegradable palm plates, balsa wood cutlery, washable glassware and other biodegradable products for our events using disposables. Also, we use purified water in jugs in place of mini plastic bottles.

How do you recycle?

We bring large recycling cans on site, and all our staff is trained to separate out recyclables like paper, cardboard, tin, glass and plastic. Then it gets brought back here where we take it to the recycling center. It does add to the workload of an event, but we still do it effectively.

We also decided to add solar concentrators to the roof over the individual offices to bring in light and we are now replacing all our metal halide lights with T5 lights that use a minimal amount of electricity and are motion-sensitive. This way they shut off when someone leaves the room. The floors here are bamboo, the ice machines use filtered water and we clean and press all our linens to lessen our carbon footprint.

To be carbon-neutral we buy carbon credits to offset all the energy that is used, as with our trucks going to and from events. Also, we calculated the approximate employee commute for the whole team and buy carbon credits to offset all those greenhouse gases, so that now we are 100 percent carbon-neutral. We’ve been doing that for three years.

What other ways have you found to save energy?

For one thing, we compost our food matter to make high-quality soil that we distribute to our community, and we collect and store all of our used cooking oil, that we donate to a local biodiesel cooperative.

Also, we wanted to subsidize wind power. So we purchase an equivalent amount of electricity from a wind farm. And though it is off-site, it gives us the advantage of being technically wind-powered. It tells the energy company that we are serious and we want to spend our money on clean energy … because unless you prove with dollars that there is a desire to purchase alternative energy, they won’t listen. We’ve seen how it creates momentum when a lot of companies get involved.

Have you figured out how much more it costs to do business in this way?

We have a general idea, and of course the start-up costs were quite high, but it is far outweighed by the amount of business we receive from clients that are like-minded. Companies and individuals who like what we are doing eventually gravitate to us and we feel rewarded.

We live happy and it has paved the way to the next stages in our development. It’s given us the knowledge and the confidence and introduced us to organizations that have things to offer us that are above and beyond anything else that we’ve done so far.

What are some of the newest technologies that you’ll be using?

Lately we find we are becoming a sort of incubator for green solutions.

Not long ago we had a visit from a gentleman based in Florida and began to talk about using geothermal. I mentioned how our dishwasher pushes out gallons of 180 degree water and it just goes down the drain. He told us we could divert it and harness it. Ultimately his company designed a product for us using heat exchange and we’ll be testing it here. The plan is to have it up and running in a few weeks.

In a nutshell, we will be running “grey” water alongside the city water pipes to super-heat municipal water. The fresh and “grey” water don’t mix together. There are membranes between the two of them. But in this way we can take the 65 degree water from the county and introduce it through our ”grey” water cisterns before it goes into the pipes. Eventually it will raise the temperature of our instant hot water for our washing machines two-fold to 130-160 degrees. It will save us a lot on gas usage.

Is that a cost to the city?

No, we handle it all from here. We’ll build a tank and the city water will go right through it.

We’re also looking at placing these huge cisterns beside our buildings to gather and harness the rainwater from our roofs. Imagine! They can collect up to 40,000 gallons per month of water. What we want to do is use those tanks for latent energy.

We subscribe to a train of thought that the future of this world is based upon communities building vertical farming. We have these flat roofs here and we are in the process of designing a rooftop garden with greenhouses to grow all our own vegetables and herbs. We have at least 6,000 square feet of roof space. We want to prove that it can be done and share the plots with the community.

The greenhouse will be hydroponic and aeroponic, which is a system NASA developed that uses an oscillator that is introduced into a water tank. You create a certain vibration and it renders the water into a mist. You can then push that vapor, with pressure, into a system of canals or closed chambers in which the roots of your vegetables thrive without soil. Every intermittent three minutes the pipes are filled and then flushed. It works like a rainforest. The plants grow at 2-3 times the speed.

What about the “terroir” — the taste imparted to the vegetables from the soil and its minerals? Won’t that be missed?

We can introduce that into the water by making a slurry from our compost and extracting the minerals out in liquid form to fortify the water, or we can buy organic feed to add to it.

Our last initiative will be to crush our glass and smelt it in kilns and create recycled glass slabs to use for platters and bowls. We are interested in inviting others, even our competitors, to see how we are doing this. We look to inspire others.

What do you see for the future of catering?

I foresee in the next few decades that we’ll move towards a more vegan and a more raw diet and a more healthful nutritious diet. So we’re making a small push to increase our vegetarian options and training ourselves to be better at cooking those options for our clients that want them, and for the future of our planet too.

For questions or comments contact jordan@whiskandquill.com.
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Jordan Wright •

On June 24, bracing spirits and sublime hors d’oeuvres enlivened a steamy night at Georgetown’s Puro Café. Stunning Euro stylistas in tiny shorts teetered on four-inch heels while mixing with chic Georgetowners for the opening of the new all-white trellised patio. It was easy to keep our cool under a draped pavilion replete with comfy lounges and twinkling lights while sipping “Copper Fox Bayou Cooler,” created and served by Alembic’s chief mixologist, Jon Arroyo. The soothing summer punch recipe, given to me by Arroyo, consists of Wasmund’s Single Malt Whisky, agave sweetened iced tea, fresh lemon juice, Grand Marnier, Peychaud’s bitters and Angostura bitters. A few julep cups of this elixir and the blazing heat becomes a fleeting memory.

42 Degrees Catering, which does special events around town and for Puro Café’s private parties, created heavenly savory and sweet delicacies for the evening’s guests. Here’s what Chef Frederik de Pue prepared for the guests. I wouldn’t want you to miss a bite!

Menu of Savory Treats

Carpaccio of foie gras with a remoulade of celery root and coffee liquor dressing; Hearts of palm vol-au-vent with little cilantro pesto jellies; Grilled baby octopus rolled into in a phyllo cigar with tapenade of kalamatas and pine nuts; Seared sea scallops with a minty ginger miso mustard sauce; Muscovy duck breast in a spicy mango cube with balsamic vinegar and Thai basil; Crisp Arctic char with steamed leeks with apple cider coulis and parsley chips; Maryland jumbo lump crab tempura with black truf?e soy sauce and chervil salad; Confit of rockfish filet with Creole salsa, Peruvian aji pepper and watercress cream; Queso blanco tequenos topped with avocado cream and scallions; Black pepper chicken spring rolls with rice vinegar dressing; Beef tenderloin marinated with chardonnay and soy sauce.

Sampler of Sweet Treats

Single-origin Venezuelan chocolate; Saigon caramel mousse; Chocolate caramel mousse with vanilla sponge cocoa liqueur; Mango cilantro bavarois; Goat cheese with dark chocolate mousse and fresh raspberry; Cherry wrapped in single-origin Tanzanian dark chocolate.

Maryland Jumbo Lump Crab Tempura with Black Truffle Soy Sauce and Chervil Salad

1 pound fresh jumbo lump crab meat
2 cups tempura flour
1 teaspoon curcuma (turmeric)
1/4 bunch chervil
3 tablespoons mayonnaise
2 tablespoons truffle juice
1 tablespoon soy sauce
Salt
Pepper
Frying oil

Mix mayonnaise, truffle oil and soy sauce with a pinch of ground black pepper. Depending on saltiness of soy sauce you might need to add little more salt. Add one tablespoon of chopped chervil to bring color to the sauce.

Place whole pieces of crabmeat gently on a paper towel to dry the crab, so the batter will stick.

In a separate bowl, mix tempura flour and curcuma with a little water to create a thick, smooth batter. Add several ice cubes to the mixture — the ice will cool down the batter and will create a nice crispy tempura.

Preheat frying oil to 320 degrees. Place spoonful-sized pieces of crab into the batter and then into the oil. Give them enough time to form a nice crispy exterior. Once they’re golden, remove and place on a paper towel. Serve immediately with dipping sauce on the side.

Visit Puro Café at www.purocafe.com.
For private parties, visit www.42cateringservices.com.
For cocktail catering, visit www.drinkalembic.com.

For questions or comments on this article, contact jordan@whiskandquill.com.
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Jordan Wright •

When I heard they had revamped The Jockey Club, Washington’s bastion of the old guard and sanctuary for the well-heeled, my heart sank. The power dining spot in its heyday, it was a place where gentlemen’s chauffeurs waited, purposeful young men, hoping to impress, brought their dates and fashionable ladies lunched in suits and jewels. It stood alone in cataloguing the comings and goings of elite Washington society. And though the menu rarely changed, there was comfort in the veal paillard avec foie gras and the delicate Dover sole meuniere. No culinary acrobatics here.

On a perfect spring afternoon we drove up to the porte-cochere at The Fairfax at Embassy Row. The original Jockey Club lantern stood beside the black-booted jockey, still sporting his red and white racing silks, and the etched brass plaque were in situ as we strode into the newly decorated dining room. Gone were the red and white-checked tablecloths and the dark-stained wooden booths (how they had held such charm is now inexplicable). In their place is an elegant, understated room flooded with sunlight, soft colors, suede banquettes and equine portraiture.

But the food, my dears, after all, that is why I have come.

Levi Mezick is a young chef whose modern French cuisine has thrown down the gauntlet to every French chef in this city as he displays a new dynamic for Washingtonian gastrophiles. Mezick trained under Edouard Loubet, the Provencal chef whose Domaine de Capelongue restaurant in Luberon sports two Michelin stars. He cut his teeth in the New York kitchens of Daniel Boulud at Daniel and Café Boulud, and later at Thomas Keller’s Per Se. All revel in three Michelin-starred restaurants and all are in the forefront of progressive French cuisine.

We started with a simple butternut squash soup with cinnamon croutons and cranberry coulis, nicely executed though a bit behind the season. But it was the next dish, a snapper carpaccio exquisitely articulated with rings of blood orange segments and red radishes swirling around the thinly-sliced raw fish, that foretold the glories that lay ahead.

We swooned and chirped over a glorious crab salad, a destination dish, mounted atop green apple gelee and celery root remoulade, an old French classic reinvented with a lively balance of creamy and tart. A delicious bread-crusted sea bass on basmati rice showed Indian-Asian influences with trails of coriander, tamarind and kaffir lime oil, highlighted by tender baby bok choy aswirl in an airy coconut foam.

A duo of Pineland Farms local beef — red wine-braised short rib and seared strip loin — struck a lovely chord among sunchokes and pommes dauphine, accented by a rich Bordelaise sauce fragrant with marrow bone, wine and herbs.

Sadly, desserts don’t measure up to Meznick’s triumphs. Pastry Chef Lisa Hood, who was at the Inn at Little Washington and Westend Bistro, will hopefully have more to offer on my next visit. For the present, a serviceable but plebeian chocolate-crusted Key lime cheesecake with raspberry coulis, and a Valrhona chocolate crème brulee with fresh berries will have to suffice.

It was too early in the day to tipple, but rest assured the wine list is breathtaking. Cellaring over 450 labels and vintages, it is certainly one to explore over many occasions. Mostly weighted on the French side, it ranges from Nuits-St. Georges, Pommards and Chambertins to Meursaults and Puligny-Montrachets. Yet there are also stunning brunellos and barolos and nine Chateaux d’Yquem to quibble over.

This “new” Jockey Club is as alluring as a first kiss. Just as impressive as ever, it has returned with a fresh cachet, a winning new chef and a dining room to match the restrained elegance of its cuisine.

For questions or comments, contact jordan@whiskandquill.com.
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Jordan Wright •

On a balmy evening last week guests gathered around Michelin three-star mixologist Brian Van Flandern for a lesson in margarita-making. On the white crocodile skin-topped bar, Van Flandern laid out all the necessary accoutrements for professional bartending: jiggers, shakers, strainers, ice scoops, crystal pitchers of fresh-squeezed lime juice and freshly-cut lime wedges, including his preferred Don Julio Tequila and light agave syrup. Large silver bowls of ice were ready for eager guests who lined up to measure, ice down, shake, pour and garnish the perfect classic margarita in preparation for their own summer parties.

The natty and knowledgeable consultant Van Flandern, who creates cocktails for the iconic Bemelmans Bar at New York’s posh Carlyle Hotel, Thomas Keller at Per Se, Michel Richard at Citronelle, and Chef Mario Batali, had arrived at the chic Palisades home of Lani Hay, president and CEO of LMT, Inc., for a private dinner and launch of his book “Vintage Cocktails.”

Publishers Prosper and Martine Assouline, whose elegant imprint of luxury books and works of art are found in boutiques in Paris, New York, Los Angeles and Las Vegas, were on hand to celebrate the moment with a dinner menu that was designed around a progression of dishes paired with classic cocktails from the book.

THE COCKTAIL DOCTRINE

“Acid, alcohol and sugar,” Van Flandern instructed his mixologists-in-training. “It’s all about the balance,” he advised while the sloshing and clacking sounds of a battery of Boston shakers filled the room. Everyone had their own Hawthorne strainer to hold back the ice for the straight-up margaritas. A quick tasting was recommended to perfect the balance, and then it was down the hatch.

In an interview, Van Flandern, who grew up in nearby Chevy Chase, described a few of his techniques and ingredients for some of his spectacular cocktails. A purist to the bone, he crafts his exquisite “Tonic and Gin,” designed for New York’s Per Se, using ground CHINCHONA bark from the Amazon rainforest. He also makes his own maraschino-style cherries, using dehydrated Bing cherries reconstituted in hot water.

“They taste just like cherry pie!” he says. He counsels me, “Be sure to save the liquid, add sugar and reduce to make a simple syrup for infusing spirits.”

I wondered where the word “cocktail” originated and why some cocktails are referred to as “vintage” or “classic.” He explained that “at one point in history a certain cocktail gained global popularity and becomes a classic or is destined to become one because of all the publicity it has garnered.”

The term “mixologist” has been usually regarded as pretentious and taboo in the industry, but since a renaissance of the cocktail, he assures me bartenders are embracing the coinage.

“2004 was the 200th anniversary of when the word “cocktail” first appeared in print. And now great bartenders around the world are looking to chefs for direction and focusing on balancing acid to sugar. They are using fresh ingredients, hosting spirits education, and researching the histories of the specific distillation techniques. Even the TERROIR and culture behind where different spirits are made are taken into consideration in developing flavor profiles to create delicious and original cocktails.” A trend likely to continue.

While working with Chef Thomas Keller at Per Se in New York City, Van Flandern lowered the ethanol content of the spirits and paired his cocktails with dinner courses, creating food-friendly cocktails and earning a four-star rating from noted New York Times food writer and wine critic Frank Bruni.

DESIGNER COCKTAILS

Since I misspent some of my salad days at the Bemelmans Bar in the Café Carlyle, where Van Flandern reigns, I asked him to share some original cocktails he has created for the iconic watering hole.

“Sex in the City” Cocktail — On the cover of “Vintage Cocktails” is a photograph of a pretty pink sugar-frosted rim cocktail he calls “The Bradshaw,” named after Carrie Bradshaw of “Sex in the City.” Little known is that real life actress Sarah-Jessica Parker and her husband, Matthew Broderick, had their first date here. To mark the occasion, the drink was designed for her using Don Julio Blanco Tequila, fresh lime juice, simple syrup and the pink-colored, passion fruit-infused X-Rated Vodka. The recipe is just in time for “Sex in the City 2” and should be served at all the private screenings around town.

Tiffany and Co. Cocktail — For his design of “the official cocktail” for Tiffany and Co., he mixed Alize Blue, fresh lime juice, pear vodka, a drizzle of cane sugar syrup and Moscato d’Asti. When presented, it was served in a champagne flute and tied with a white silk ribbon around the base.

Dolce and Gabbana Cocktail — For the launch of their “Light Blue” perfume, he mixed Ciroc Vodka with Granny Smith apple cider and citrus peels, adding cedar wood from a distillation he created using the shavings from a cedar wood clothes hanger.

For questions or comments on this article contact jordan@whiskandquill.com.
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