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Lisa Gillespie • July 26, 2011

On Monday evening, March 28, Mayor Vincent Gray delivered his first State of the District speech after three months in office and weeks of stormy resignations, allegations and negative approval ratings.

His 8,000 word speech did not address the recent firing of former health administration employee Sulaimon Brown who accused Gray of a pay-to-play and nepotism and D.C. City Council’s probes into those allegations, nor did it address repercussions for City Council chairman Kwame Brown’s two fully-loaded SUVs that ended up being illegally procured.

However, after a reporter asked about the admittance in a press conference after the speech, Gray said, “I wanted to talk about the issues affecting the city. The reason I ran in the first place was to advance the educational outcome for children and provide opportunities for self improvement.”

He also mentioned that he had not wanted the main topic of headlines to be his troubles, but the “real” issues affecting the city, and that there would be accountability to those who violate the public trust: “If people violate the public trust they will be fired. There are missteps that have been made and at the end of the day I’ll take responsibility for them. And if I’m going to take the weight for them, I intend to bring the weights back to where it belongs.”

The speech, titled “One City…Rising to the Challenge,” did focus heavily on unifying the city, and Gray addressed the challenges that he’s faced since taking office. Last week, for instance, the Census released statistics that showed the District’s African American population down to 50 percent.

“The facts are troubling, but they bear acknowledging: there are parts of this city where over half of our high school students do not graduate. In some neighborhoods, one out of every three adults is unemployed.”

Tammy McKinney, 41, attended the speech and said she felt he’d addressed the issues facing her home in Ward 6.

“We’ve seen the development on H Street Northeast and a few good things come through, but we don’t hear as much about Wards 6, 7 or 8 than we do the others,” said McKinney, who was born in DC. “Why would people come out here? There are not restaurants and no shopping. I’m hopeful, but unsure.”

Gray spoke of the dividing line between the Anacostia River and the hope that it would one day resemble other notable rivers in the world: the Thames in London, the Charles River in Boston or the San Antonio River Walk in Texas.

“At its widest, the Anacostia River spans barely half a mile —but when you pass over it, it can feel like you’ve left one continent for another…it should be a unifying force between the east and west.”

Delegate Eleanor Holmes Norton praised the Mayor for not glossing over the $322 million budget gap that will lead to budget cuts, to be released on Friday.

“I appreciate that he didn’t gloss over the tough issues. People will be very disappointed when they see these cuts, though we’ve seen it come worse to other parts of the country.”

Gray delivered his speech at Eastern High School in Ward 5, where the poverty rate stood at 20 percent in 2009.

“If I have been repetitive on this topic, it’s because it is vitally important for us to be honest about how things will change,” Gray said. “Some of the agencies that we depend upon will be asked to make do with less. We cannot and will not use budget gimmicks to close the gap.”

He compared the city government after the cuts to, “a lean athlete after a period of intense training: with a government that is leaner, but also one that is stronger.”

Samantha Hungerford •

In a box, in a corner of an office, in the Tudor Place in Georgetown, an antique collection of wax figurines lays largely untouched and unseen by visitors to the historic home.

The 228-year-old dolls, once the treasured belongings of first First Lady Martha Washington, were brought to their home at Tudor Place by Martha’s granddaughter and looked after for two centuries by her descendants and then museum curators.

Years of heat, mishandling and bugs have obviously gotten to figures; many are missing legs or arms, and the silk clothes are torn and faded of their color. But Leslie Buehler, the executive director of Tudor Place, believes that there is life yet to breathe back into these charming wax characters, and she is currently working to restore them.

The figurines make up a tableau set that was a gift to Martha Washington from Samuel Fraunces in 1783. The scene depicts the story of the military hero, Hector, and his wife Andromanche, whose romance was endearing to George and Martha, mirroring their own story of love and separation during wartime.

The scene was removed from public display in an effort to conserve the figurines and spare them any further damage.

The steps taken by Tudor Place to make the figurines more aesthetically pleasing have been more challenging than expected. The pins and dowel rods that hold the dolls together are from unidentifiable years, making it difficult to determine which ones are the originals, and details such as what the faces and clothes originally looked like are unknown. Buehler stated that it will be at least another year before the figures are ready to go back on display.

The restoration is being funded by private donors, including a remarkably generous donation which covered the initial analysis of the figurines.

“All of these objects tell extraordinary stories that relate the times these people lived in a visceral way,” Buehler said to the Post. “The more one understands about the beginnings of this country – how people lived, how they spent their time – it just informs our sense of history.”
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Gary Tischler • July 19, 2011

The Kennedy Center is currently hosting two very different productions that nevertheless call themselves Broadway musicals.

There’s the big, splashy, big voice, big sets, big show, big bucks (theirs and yours) “Wicked” heading through August at the Opera House, with tickets as hard to come by as a debt ceiling solution. And then there’s “Next to Normal,” with big voices, but also with big ideas, a show horse of an entirely different color and progeny.

Both probably are indicators of where Broadway might be headed, a two-way street where there’s room for both.

“Next to Normal” is such a surprise in content, intent and intensity that to call it merely a “musical” would be a serious understatement. More of a rock opera—most of the dialogue is sung in one way or another—it deals with a dysfunctional, contemporary American family struggling with its bi-polar mom at the center of its universe.

With such an inferno of psychological stress to deal with, there’s not much room for fun and funnies, and only the barest of razor-sharp ironies and tight, to the point humor. But what you end up with is something entirely original and unlikely. A frayed Cinderella of a show which began as a one-song fragment, expanded to a full-blown show, had a difficult off-Broadway run and came to be part of an Arena Stage season two years ago. Returned to Broadway, won Tonys, and—a rarity—a Pulitzer Prize, and a Tony for its star, the amazing Alice Ripley.

Ripley is on hand for the road company now at the Kennedy Center’s Eisenhower Theater and if you get a chance, (July 11 is closing time) go see “Next to Normal.” It’s heart-breaking, punch-in-the-mouth, astonishing theater.

Ripley plays Diana, a diagnosed bi-polar mom, former architect, and huge bundle of unpredictable and often destructive behavior which has the whole family on constant edge. This has been an over-a-decade life situation for this family—the infinitely patient husband, the gifted daughter who feels invisible, her astonishingly kind boyfriend, the son, and of course Diana, feverish, coltish, dramatic, desperate, sexy and fascinating in a glow-in-the-dark way that people with mental illness can sometimes be. She is the dark sun of the house, along with her dark son.

The folks who put this together have some experience with “serious” musical shows—Michael Greif directed the smash hit “Rent,” a rock musical with a La Boheme touch on urban artists and their lives.

“Next to Normal,” if it has antecedents, seems a stage cousin to “American Beauty,” the dark, bitter, funny cinematic riff on suburbanites. But “Normal,” with a book by Brian Yorkey and a rock score that’s more like a condition and state of mind than tuneful or lyrical, isn’t concerned with class, place or work. It’s about a family caught up in an iron, tension-stress filled issue of illness and emotional crisis that’s just plain ongoing. The solution is very American: medicate the patient and embrace denial like a fiend, and if that doesn’t work, there’s always electric shock therapy.

In the end, of course, this isn’t social criticism or even a heavy dose of profundity with music: It’s a show about emotional pain and secrets, and the cost in wear and tear over time. It’s a tight night where you can’t get away from the anguish that everyone’s feeling, anguish we’ve all felt at some point in our lives over something. In “Next to Normal,” we really feel their pain.

The music and Ripley are the keys here—it’s not your normal Broadway score with recognizable songs and borders and cutoffs, not even next to normal, so integrated is the music into the life of the characters. While there’s recognizable “songs”—“Just Another Day” sets the sparse stage and set, “I’m Alive” is a defiant lament by the son, “Hey” is a touching, very now love song for the daughter and her new friend – the score keeps insinuating itself like another character.

Ripley has pretty much owned the part of Diana since she took it over on Broadway, and it appears to have taken a toll on her voice, which is now rich with rasp, as well as a capability to hit long and high notes, she now seems to sing the way people talk under stress. Asa Somers as her husband Dan, Preston Sadler as Henry, Curt Hansen as Gabe and Jeremy Kushner as two different shrinks are all emotionally affecting, but that’s especially true of Emma Huton as the daughter, who gets richer and better through the course of the show.

You won’t be dancing when you come out, or defying gravity. You might be a little shaky in the knees after a night with “Next to Normal.” But that’s a good thing. It’s practically next to normal.

Robert Devaney • July 13, 2011

Board members, staff, friends and business leaders met June 9 for a lively annual meeting of the Georgetown Business Improvement District at the House of Sweden on the edge of the Potomac. The main event was the unveiling of the redesigned BID website and a new logo and tagline for the merchants of the town – “Come Out and Play” – as well as staff, safety and finance reports. Along with Design Cuisine finger food, guests later got those cool brown swag bags with the new logo and enjoyed desserts from Sprinkles Cupcakes on M Street and Georgetown Candy on Wisconsin Avenue. Sweet! [Editor’s Note: See GT Observer in this issue for news on the BID update.] [gallery ids="100065,106149,100066,100067,100068,100069" nav="thumbs"]

Georgetowner •

According to an article in the Atlanta Business Chronicle, Washington DC ranks 3rd in the nation as a city with the best opportunities for young people ages 20 through 30. The research methods looked at 65 metro cities (over 800,000 in population) and used a 10-part system to mark areas with large amounts of young people with careers, strong grow rates and a reasonable cost of living. The top ten for this year are:

1.Austin

2.Houston

3.Washington

4.Raleigh

5.Dallas-Fort Worth

6.Boston

7.Oklahoma City

8.Salt Lake City

9.Seattle

10.Baton Rouge, La

A fair guess to Washington’s success is all the internships available which can provide great networking opportunities, open doors and lead to employment offers. Politico estimates that DC had over 20,000 interns in 2009 and that the numbers are continuing to rise.

Cities that did not land high on the list include Riverside-San Bernardino, Calif, Detroit and Atlanta due mostly to the lack of employment opportunities.

Georgetowner •

Tudor Place Historic House and Garden’s expansion plans moved a step forward this week as new preliminary building plans were reviewed by ANC2E and the Old Georgetown Board.

At this Tuesday’s ANC2E meeting, Tudor Place Executive Leslie Buhler presented changes made to the site’s preliminary plans for expansion. These changes were made in response to recommendations made by the National Park Service, which holds an easement on the 5.5 acre property. First, the proposed education center on the North side of the property has been moved off of the easement line. Second, the proposed gatehouse to be built at the 31st Street entrance has been moved from the North side to the South side of the entrance.

Neighbors of Tudor Place, a group of about sixty neighboring homeowners, still oppose the current preliminary plans. One of these neighbors, Outerbridge Horsey, voiced a number of concerns at the meeting, including the height of the buildings and the number of trees that would be cut down in the construction process. The property is covered by 75 percent canopy.

The Neighbors have proposed alternative plans that would minimize the visual impact of the buildings.

On Thursday morning, the preliminary plans were reviewed by the Old Georgetown Board. Leslie Buhler says that the Board’s criticism was “very constructive,” and that Tudor Place is eager to move towards the design phase.

Suzanna Nelson •

According to The Washington Examiner, and following blogs, the Brown Line proposal is getting more attention from Metro Officials. The Brown Line proposal would connect Georgetown to the rest of Washington via the Metro. The plan is to connect Friendship Heights to downtown, then to Silver Spring and White Oak.

While the plan has caught some officials’ eyes, nothing too serious has been planned: no funding, no engineering, no construction, yet. The goal is, by 2040, to have efficiently expanded the Metro to accommodate the vast growth of Washington and make travelling throughout the city much easier. Metro officials are not very interested in opening completely new lines; they would rather expand current ones in order to be more efficient and cost effective. Officials last Wednesday proposed the plane to regional officials, and are going to survey riders’ opinions during the month of July.

On estimation, the Brown Line would add about 20,000 more daily trips on the Metro, and increase Washington and Arlington residential travel from 70 percent to 74 percent, according to the Georgetown Metropolitan.

A different plan for adding Georgetown to the Metro map calls for splitting the Silver Line, another line that is in proposal status. Studies concluded that this proposal would have fewer riders than the Brown line, especially from Arlington residents because of the few stops that it would have in that area.

However, even with all this talk, there is no need to worry about up-coming delays; the goal deadline is 2040, so proposals are still in infancy. Metro officials are trying to consider every option possible first before beginning projects so that they will be cost efficient and least stressful for riders during construction.